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Untitled No. 468 - Signed Print by David Hockney 2010 - MyArtBroker

Untitled No. 468
Signed Print

David Hockney

£18,000-£27,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$50,000 Value Indicator

¥160,000-¥240,000 Value Indicator

22,000-30,000 Value Indicator

$170,000-$260,000 Value Indicator

¥3,380,000-¥5,060,000 Value Indicator

$22,000-$35,000 Value Indicator

16% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 250

Year: 2010

Size: H 44cm x W 33cm

Signed: Yes

Format: Signed Print

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Track auction value trend

David Hockney's Untitled No. 468 (signed), a digital print from 2010, is estimated to be valued between £18,000 and £27,000. This artwork has shown consistent value growth, with an average annual growth rate of 18%. There have been 13 total sales since its initial sale on 18th December 2017. In the last 12 months, the average selling price was £19,000, with a total of 2 sales. Over the past five years, the hammer price has ranged from £9,095 in October 2020 to £22,080 in March 2023. The average return to the seller over the last five years has been £13,303. The edition size of this artwork is limited to 250.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2024Phillips London United Kingdom
March 2024Christie's London United Kingdom
November 2023Van Ham Fine Art Auctions Germany
September 2023Phillips London United Kingdom
March 2023Tate Ward Auctions United Kingdom
April 2021Phillips New York United States
October 2020Phillips New York United States

Meaning & Analysis

Untitled No. 468 is a digital print on archival paper of an iPad drawing, executed by David Hockney in 2010. Here a potted leafy plant in a terracotta pot sits atop a black table. Positioned in the corner of a room, the background details have been executed somewhat hastily, the digital pen marks skating across the page. As digital tools are unquestionably more mobile, the medium enables Hockney to quickly sketch what is before him: representing his everyday environments. Hockney works in vector-based, rather than pixel-based images. This enables a maximisation of sharpness, colour and saturation, which are then rendered more easily into large-scale prints for the clearer display of his details. Hockney favors digital mediums for their capacity for greater trial and error: “the iPhone makes you bold”, Hockney confesses, as one can go back at any time and ‘undo’ a brush stroke. Thus all possibilities, instincts and impulses can be explored without regret.

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