Untitled No. 778
Untitled No. 778
Signed Print
David Hockney
£21,000-£30,000
$40,000-$60,000 Value Indicator
$40,000-$50,000 Value Indicator
¥190,000-¥280,000 Value Indicator
€25,000-€35,000 Value Indicator
$210,000-$300,000 Value Indicator
¥4,100,000-¥5,850,000 Value Indicator
$27,000-$40,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 250
Year: 2010
Size: H 56cm x W 43cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London | United Kingdom | |||
| October 2022 | Wright | United States | |||
| September 2022 | Phillips London | United Kingdom | |||
| June 2022 | Phillips London | United Kingdom | |||
| September 2021 | Sotheby's Online | United Kingdom | |||
| June 2020 | Swann Galleries | United States | |||
| May 2020 | Forum Auctions London | United Kingdom |
Meaning & Analysis
Untitled No. 778 by David Hockney, created in 2010, is an iPad drawing printed as an eight-colour inkjet print on cotton-fibre archival paper. This work, part of an edition of 250, depicts a view through a window, showcasing Hockney's use of digital media within his broader exploration of landscape and technology.
Untitled No. 778 demonstrates Hockney's integration of traditional artistic techniques with digital tools. The artwork, an iPad drawing printed in eight colours, presents a view through a window, featuring blooming flowers in the foreground and a house with a red roof in the background. The composition is framed by a blue curtain on the left and a green window frame on the right, creating depth and perspective. Hockney's use of colour and brushstrokes in this digital medium reflects his distinctive style. The iPad allows for a blend of textures and hues, highlighting the artist's approach to modern printmaking. This work is part of Hockney's exploration of the iPad as a creative tool, a theme he began investigating in the late 2000s.
