Untitled No. 535
Untitled No. 535
Signed Print
David Hockney
£21,000-£30,000
$40,000-$60,000 Value Indicator
$40,000-$50,000 Value Indicator
¥190,000-¥280,000 Value Indicator
€25,000-€35,000 Value Indicator
$210,000-$300,000 Value Indicator
¥4,100,000-¥5,850,000 Value Indicator
$27,000-$40,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 250
Year: 2009
Size: H 56cm x W 43cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London | United Kingdom | |||
| March 2023 | Sotheby's Online | United Kingdom | |||
| September 2022 | Phillips London | United Kingdom | |||
| June 2022 | Im Kinsky | Germany | |||
| October 2021 | Cornette de Saint Cyr Paris | France | |||
| March 2021 | Forum Auctions London | United Kingdom | |||
| December 2020 | Bonhams New Bond Street | United Kingdom |
Meaning & Analysis
My Window, a digital print released in an edition of 250, has been executed by the much loved British artist David Hockney on digital medium. Over the past few years, Hockney’s digital drawings have gained wide attention and were the exclusive subject of his most recent Royal Academy solo show, The Arrival of Spring (2021).
This digital drawing, released in an edition of 250, depicts a vase of bright, luscious pink flowers, perched on a windowsill. The ‘painted’ strokes and pixelated brush effect reveal that this has not been conventionally painted, but painted digitally, every movement of the artist’s hand visible. Hockney’s explorations into digital art began back in 1985, working with an early computer program, Quantel Paintbox. This exploration of the potentialities of digital technologies continued as Hockney took up his iPhone in 2007, then the iPad and stylus in 2010. Taken as a whole, Hockney’s digital works document the passing of time: changing seasons as witnessed from his window, as well as technological developments as equipment becomes more advanced and sleeker. This edition, My Window, documents the coming of Spring as flowers bloom brilliantly.
