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Untitled No. 852 - Signed Print by David Hockney 2011 - MyArtBroker

Untitled No. 852
Signed Print

David Hockney

£40,000-£60,000Value Indicator

$80,000-$120,000 Value Indicator

$70,000-$110,000 Value Indicator

¥370,000-¥550,000 Value Indicator

50,000-70,000 Value Indicator

$400,000-$610,000 Value Indicator

¥7,810,000-¥11,720,000 Value Indicator

$50,000-$80,000 Value Indicator

4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Digital Print

Edition size: 25

Year: 2011

Size: H 94cm x W 71cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Untitled No. 852 (signed) is estimated to be worth between £40,000 to £60,000. This digital print artwork, created in 2011, has shown consistent value growth since its first sale in December 2020. Over the past 12 months, the average selling price was £40,000, across 1 total sale. In the last five years, the hammer price has ranged from £30,348 in December 2020 to £40,000 in June 2024. The work has an auction history of 2 total sales and an average annual growth rate of -2%. The edition size of this artwork is limited to 25.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2024Christie's London United Kingdom
December 2020Phillips Hong Kong Hong Kong

Meaning & Analysis

Hockney’s signature use of a sharp black contour is abandoned here as he seeks to endow the image with a sense of softness. Blades of grass intertwined with the flowers lack a rigid contour and, thus, seem to dissolve playfully against the dark background. The flower petals appear sketched in gentle ink strokes and, thanks to Hockney’s delicate use of colour, attune smoothly to the green background. The series of digital flower paintings follows Hockney’s long-standing experimentations with traditional methods of painting, printmaking, and photocopying. As such, it demonstrates how the artist continues to prove his versatility after five decades of artistic career. Having discovered the iPad, Hockney used to email a new painting of flowers every morning to acquaintances, often a bouquet in a vase similar to that depicted in Dandelions. He said in this context: “I draw flowers every day and send them to friends, so they get fresh flowers every morning. And my flowers last!”

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