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4th February 2021, Flowers In White Vase With Chair - Signed Print by David Hockney 2021 - MyArtBroker

4th February 2021, Flowers In White Vase With Chair
Signed Print

David Hockney

£25,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$60,000 Value Indicator

¥230,000-¥320,000 Value Indicator

30,000-40,000 Value Indicator

$250,000-$340,000 Value Indicator

¥4,730,000-¥6,620,000 Value Indicator

$30,000-$45,000 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Digital Print

Edition size: 50

Year: 2021

Size: H 89cm x W 64cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s 4th February 2021, Flowers In White Vase With Chair (signed) is estimated to be worth between £25,000 and £35,000. This digital print, created in 2021, has shown consistent value growth and has an auction history of one sale in January 2025. The average annual growth rate of this artwork is 12%. This work has an auction history of one sale in the last 12 months, selling for an average selling price of £26,000. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2025Phillips London United Kingdom

Meaning & Analysis

The composition centres on a white vase filled with an assortment of flowers, rendered in precise strokes of green, pink, and purple. These hues contrast effectively with the dark brown background, creating depth and focus. A checkered tablecloth and chair provide spatial context, demonstrating Hockney's attention to perspective in digital media.

The artwork showcases Hockney's technical proficiency with the iPad, a tool he has been using since 2010. The digital medium allows for swift colour adjustments and layering, enabling Hockney to capture subtle variations in light and texture. This approach results in a work that combines the immediacy of a sketch with the refinement of a finished painting. The series, created during the COVID-19 lockdown, demonstrates how Hockney adapted his practice to the constraints of the period, using technology to maintain his artistic output.

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