The World's Largest Modern & Contemporary Prints & Editions Platform
Brouillard - Signed Print by Bridget Riley 1981 - MyArtBroker

Brouillard
Signed Print

Bridget Riley

£14,000-£21,000Value Indicator

$28,000-$40,000 Value Indicator

$25,000-$40,000 Value Indicator

¥130,000-¥190,000 Value Indicator

17,000-25,000 Value Indicator

$140,000-$210,000 Value Indicator

¥2,650,000-¥3,970,000 Value Indicator

$18,000-$27,000 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 85

Year: 1981

Size: H 79cm x W 72cm

Signed: Yes

Format: Signed Print

TradingFloor

4 in network
5 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

The value of Bridget Riley's Brouillard (signed) from 1981 is estimated to be worth between £14,000 and £21,000. This screenprint has an auction history of nine total sales since its entry to the market on 21st October 2004. Over the past five years, the hammer price has varied from £7,991 in November 2020 to £7,991 in November 2020, with an average annual growth rate of -2%. The edition size of this artwork is limited to 85.

Unlock up-to-the-minute market data on Bridget Riley's Brouillard, login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2022Wotton Auction Rooms United Kingdom
December 2019Bonhams New Bond Street United Kingdom
January 2019Phillips London United Kingdom
December 2018Bonhams New Bond Street United Kingdom
June 2018Gorringes United Kingdom
March 2018Sotheby's London United Kingdom
July 2014Bonhams New Bond Street United Kingdom

Meaning & Analysis

Riley was a master of endless reinvention as she progressively adapted her colour and formal choices throughout her career. Working exclusively in black and white until the late 1960s, upon introducing colours into her work, Riley discovered her scope of experimentation was now somewhat limitless. On her works featuring stripes Riley commented: “If I want to make colour a central issue, I had to give up the complexities of form with which I had been working. In the straight line I had one of the most fundamental forms”. Thus in these works Riley was permitted to delve deeper into exploring colour due to the simplistic compositional form repeated striped offered her.

More from Stripes