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AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Year: 1981
Size: H 24cm x W 20cm
Signed: Yes
Format: Signed Print
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Composed with colours Riley was touched by on her travels to Egypt in the Autumn of 1981, Achæan, like the other works featuring stripes, is to be read horizontally across the bands of colour. Riley regarded the shades in this work as a breakthrough in that they provided the optical effect she sought after and are brighter, purer colours in comparison to the ones she had used previously.
There is no regulated system of colour placement here, although, in some parts, the placement has the appearance of a reflection about a central colour. The title, given to the work retrospectively, refers to the Greeks who made the finest early sculptures - ‘vigorous but simple’, and which correspond to the character of the painting, which Riley regards as being ‘dark and Mediterranean’.
Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.