£30,000-£45,000Value Indicator
$60,000-$90,000 Value Indicator
$60,000-$80,000 Value Indicator
¥280,000-¥420,000 Value Indicator
€35,000-€50,000 Value Indicator
$300,000-$450,000 Value Indicator
¥5,820,000-¥8,730,000 Value Indicator
$40,000-$60,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 85
Year: 2009
Size: H 136cm x W 114cm
Signed: Yes
Format: Signed Print
TradingFloor
Watch artwork, manage valuations, track your portfolio and return against your collection
Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2023 | Christie's London | United Kingdom | |||
September 2020 | Christie's London | United Kingdom | |||
March 2016 | Sotheby's London | United Kingdom |
RA (Inverted) is a signed screen print by British Op artist, Bridget Riley, released in an edition of 85 in 2009. Beginning in 1967, Riley’s works featuring stripes, of which Ra (Inverted) is included, explore the effects of one colour on the next. In this series, Riley adopted a repeated vertical stripe format to act as a neutral structure, in which the rhythms created by chromatic variation would bring the painting to life.
One of Riley’s largest striped works, Ra (Inverted) is composed of many vibrant colours, repeating at odd intervals and represents the zenith of the artist’s confidence with exploring colour, which was not introduced into her work until the late 1960s. Vertical stripes of white feature to act as a pause, breaking up the colourful and accentuating the accents of the other hues. Black stripes also function to similar effect, adding to the brilliance of the other, more playful tones.
Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.