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Till Death Do Us Part (candy floss pink, racing green, pigment red) - Signed Print by Damien Hirst 2012 - MyArtBroker

Till Death Do Us Part (candy floss pink, racing green, pigment red)
Signed Print

Damien Hirst

£7,500-£11,000Value Indicator

$15,000-$22,000 Value Indicator

$13,500-$20,000 Value Indicator

¥70,000-¥100,000 Value Indicator

9,000-13,000 Value Indicator

$70,000-$110,000 Value Indicator

¥1,440,000-¥2,120,000 Value Indicator

$9,500-$13,500 Value Indicator

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 50

Year: 2012

Size: H 52cm x W 37cm

Signed: Yes

Format: Signed Print

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Meaning & Analysis

This series is reminiscent of Andy Warhol’s ten-part screen print Skulls series from 1976. Before Hirst, Warhol repeated a single image of the human skull across an entire series, rendering each print in different saturated and contrasting colour combinations. Hirst is consciously playing on this citation, shoring up concerns from Pop Art around mass-media imagery and the democratisation of high art. Furthermore, Hirst’s use of vivid non-naturalistic colours is at odds with the morbid subject matter, producing a jarring effect that shores up ideas around the human condition.

It is only in the later stages of Hirst’s career that he has become interested in prints and editions. His first print portfolio was produced in 1999 and was a set of screen prints that depicted medicine bottle labels. Since his first print portfolio, Hirst has produced many prints and editions like those in the Till Death Do Us Part series and are a major part of his oeuvre.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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