Till Death Do Us Part (milk chocolate brown, true blue, bubblegum pink)
Till Death Do Us Part (milk chocolate brown, true blue, bubblegum pink)
Signed Print
Damien Hirst
£7,000-£11,000Value Indicator
$14,500-$22,000 Value Indicator
$13,000-$20,000 Value Indicator
¥70,000-¥100,000 Value Indicator
€8,500-€13,000 Value Indicator
$70,000-$110,000 Value Indicator
¥1,360,000-¥2,140,000 Value Indicator
$9,000-$14,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 50
Year: 2012
Size: H 52cm x W 37cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2023 | Phillips London | United Kingdom |
Meaning & Analysis
Till Death Do Us Part (milk chocolate brown, true blue, bubblegum pink) is a screen print from Damien Hirst’s Till Death Do Us Part series from 2012. The print shows a flattened image of skull, facing outwards towards the viewer, rendered in bright blue and pink. The image of the skull, taken originally from a photograph, is set against a chocolate brown backdrop.
Reminiscent of the work of Pop artist Andy Warhol, Hirst creates a series of ten prints with repeated subject matter and compositions, but with varying colour combinations to make each print unique. Rendering the fine detail of the skull and setting this against the dark backdrop, Hirst produces a highly simplistic image that finds universally engaging triggers. This contrast between bold colour, the flat backdrop and the realistic image plays with Hirst’s concern with facts and truth that images are assumed to depict.
Fascinated by death, the skull has featured as an important piece of iconography throughout Hirst’s artistic career. Drawing on traditional art historical themes, the title of the series is indicative of the Latin phrase ‘memento mori’, that translates in English to ‘remember that you will die’ and is a common theme in 17th century still life paintings.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
