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Insane Reflection - Signed Print by Tracey Emin 2006 - MyArtBroker

Insane Reflection
Signed Print

Tracey Emin

£1,200-£1,800Value Indicator

$2,400-$3,600 Value Indicator

$2,150-$3,250 Value Indicator

¥11,000-¥16,000 Value Indicator

1,450-2,150 Value Indicator

$12,000-$18,000 Value Indicator

¥230,000-¥340,000 Value Indicator

$1,500-$2,250 Value Indicator

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 200

Year: 2006

Size: H 28cm x W 38cm

Signed: Yes

Format: Signed Print

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2 in network
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Track auction value trend

The value of Tracey Emin’s Insane Reflection (signed) is estimated to be worth between £1,200 and £1,800. Over the past 12 months, the average selling price was £1,250, across 2 total sales. This screenprint has shown consistent value growth, with an average annual growth rate of 6%. This work has a strong auction history, having been sold 9 times at auction since its initial sale in October 2007. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Forum Auctions London United Kingdom
October 2024Forum Auctions London United Kingdom
March 2023Bonhams New Bond Street United Kingdom
November 2022Tate Ward Auctions United Kingdom
September 2022Bonhams Knightsbridge United Kingdom
March 2022Rosebery's Fine Art Auctioneers United Kingdom
April 2019Tate Ward Auctions United Kingdom

Meaning & Analysis

Described by Emin as “My endless imagining of new life, faced with the question of how that might ever be”, Insane Reflection is a print about her musings on children and new life. Emin decided to not have children because she wanted to prioritise her artistic career above all else. She has commented on the hypocrisy of her situation, saying that “There are good artists that have children. Of course there are. They are called men”. The pregnant or birthing figure in this composition is faceless, and perhaps signals Emin’s curiosity in the ordeal of childbirth. The embroidered flower to the right of the composition draws the viewer’s eye with its texture and colour, and maybe signifies Emin’s greatest conception: her art.

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