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Landscape 8 - Signed Mixed Media by Roy Lichtenstein 1967 - MyArtBroker

Landscape 8
Signed Mixed Media

Roy Lichtenstein

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Mixed Media

Edition size: 100

Year: 1967

Size: H 50cm x W 28cm

Signed: Yes

Format: Signed Mixed Media

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Roy Lichtenstein's Landscape 8 (signed) from 1967, a mixed media artwork, is estimated to be worth between £5,500 and £8,500. This piece has shown consistent value growth and has an auction history of seven total sales since its entry to the market in July 2014. The hammer price in the last 12 months has ranged from £4,258 in September 2020 to £5,000 in September 2020. The average annual growth rate for this work is 7%. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
Sotheby's London United Kingdom
October 2020Sotheby's Paris France
September 2020Wright United States
September 2020Christie's London United Kingdom
June 2018Stair Galleries United States
September 2016Christie's New York United States
July 2014Stair Galleries United States

Meaning & Analysis

Landscape 8 from 1967 belongs to the Ten Landscapes suite. The print consists of two conjoined images. The upper half of the composition presents a subtle moon-like shape, blending seamlessly into a stark black background. Below, Lichtenstein inserts the cut out of a swirling element laid across the shimmery illustration of water. Landscape 8 conjures a striking waterscape, recognisable yet entirely unrealistic. Lichtenstein generates a fictitious nature scene, similar to the absurdist dreamscapes of his Surrealist series.

The plastic Rowlux and Mylar sheets employed in the making of this print generate the prismatic effect of changing light and fluctuating movement. The fabric creates an industrial aesthetic, as well as textural and spatial interplays. Lichtenstein’s quest to invoke illusionistic effects using experimental materials continued throughout his career. For instance, he pursued comparable plays on perception and reflectivity in his intricate Mirrors and later Water Lilies.

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