£70,000-£110,000
$140,000-$220,000 Value Indicator
$130,000-$200,000 Value Indicator
¥640,000-¥1,010,000 Value Indicator
€80,000-€130,000 Value Indicator
$690,000-$1,080,000 Value Indicator
¥13,590,000-¥21,360,000 Value Indicator
$90,000-$140,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Planographic print
Edition size: 60
Year: 1985
Size: H 94cm x W 133cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
April 2024 | Phillips New York | United States | |||
November 2023 | Doyle Auctioneers & Appraisers | United States | |||
October 2021 | Phillips New York | United States | |||
November 2018 | Christie's New York | United States | |||
May 2018 | Christie's New York | United States | |||
October 2016 | Sotheby's New York | United States | |||
April 2015 | Christie's New York | United States |
Roy Lichtenstein's artistic practice was in equal measure inspired by innovation and retrospection. His frequent revision of the formal qualities of the landscape genre spans over three decades of his career. The resulting Landscapes, Moonscapes and Seascapes are a testament to Lichtenstein’s creative singularity. As part of his extensive sequence, the artist completed several autonomous portfolios.
Road Before the Forest was executed in 1985 and belongs to Lichtenstein’s picturesque Landscapes suites. The work relies on poignant details, as it presents a simple image charged with complex associations.Road Before the Forest abides by its title, depicting a roadside neatly lined with a row of trees. The green and yellow branches conceal a dark forest, denoted by black, red and blue sweeps of colour. The whole scene appears to be swaying gently in the wind. Road Before the Forest unites vibrant hand-painted components with Lichtenstein’s simplistic machine-made shapes. Consequently, the layout becomes similarly abstracted as the artist’s concurrent Brushstroke Faces.
Besides dissecting the traditional features of landscape painting, Lichtenstein’s Landscapes series integrates an additional referential layer. The explosive pastel-toned and primary coloured portraits in this suite imitate the idealised brushwork of the abstract expressionists. The emotive brushstrokes mimic nature in motion, while also critiquing the authenticity granted painterly gestures in the past.