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Landscape 2 - Signed Print by Roy Lichtenstein 1967 - MyArtBroker

Landscape 2
Signed Print

Roy Lichtenstein

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 100

Year: 1967

Size: H 30cm x W 46cm

Signed: Yes

Format: Signed Print

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Roy Lichtenstein's Landscape 2 (signed), a screenprint from 1967, is estimated to be worth between £3,000 and £4,500. This artwork has shown consistent value growth, with an auction history of 11 total sales since its entry to the market in November 2007. Over the past five years, the hammer price has ranged from £2,400 in September 2021 to £4,600 in November 2020. The average annual growth rate for this piece is 5%. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2021Christie's London United Kingdom
November 2020Forum Auctions London United Kingdom
October 2019Freeman's United States
May 2019Wright United States
December 2016Karl & Faber Germany
November 2014Lempertz, Cologne Germany
July 2013Christie's New York United States

Meaning & Analysis

Preparatory drawings and layered stencils ensure Landscape 2’s graphic finish. The work belongs to Lichtenstein’s Ten Landscapes of 1967. The portfolio simplifies its subject matter to essential forms, utilising the artist’s distinct commercial style. Accordingly, Landscape 2 captures a twofold illustration of a grey and cream coloured wasteland. The picture plane is divided by a bold horizon line. Both halves of the canvas are adorned by exaggerated curves and stylised lines.

This striking scene conjures a recognisable, yet unrealistic landscape. It is the portrait of an alternative reality, similar to the absurdist dreamscapes of Lichtenstein’s Surrealist series. The plastic Rowlux sheets employed in the making of this print generate the prismatic effect of changing light and fluctuating movement. Lichtenstein’s quest to invoke optical illusions using experimental materials continued throughout his career. For instance, he pursued comparable plays on perception in his intricate Mirrors and later Water Lilies.

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