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Till Death Do Us Part (heavenly peppermint green, silver gloss, racing green) - Signed Print by Damien Hirst 2012 - MyArtBroker

Till Death Do Us Part (heavenly peppermint green, silver gloss, racing green)
Signed Print

Damien Hirst

£3,200-£4,850Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,850-6,000 Value Indicator

$30,000-$50,000 Value Indicator

¥610,000-¥930,000 Value Indicator

$4,050-$6,000 Value Indicator

8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 2012

Size: H 52cm x W 37cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s Till Death Do Us Part (heavenly peppermint green, silver gloss, racing green) (signed) is estimated to be worth between £3,200 and £4,850. Over the past 12 months, the artwork has sold once, with an average selling price of £3,162. In the last five years, the hammer price has ranged from £3,016 in December 2020 to £6,500 in September 2022. This screenprint has shown a positive average annual growth rate of 8%. This work is part of a limited edition of 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2024Bonhams Los Angeles United States
September 2024Forum Auctions London United Kingdom
September 2022Phillips London United Kingdom
December 2020Artcurial France
April 2015Bonhams San Francisco United States

Meaning & Analysis

This series is undoubtedly inspired by the Pop artist Andy Warhol and his many brightly coloured screen prints that he is renowned for. Warhol was obsessed with the reproduction of images in mass culture, hence his repetition of the same subject several times across a single series and Hirst plays on this fascination with repetition and reproduction. The repetition of a single image across the entire series explores the concept of democratising high art and mimics mass-media imagery.

Hirst takes a playful approach to the art historical genre of still life painting, the subject of the skull referencing the ‘vanitas’ still life genre. Vanitas paintings throughout history have functioned as a reminder of human mortality and the fragility of life, a theme that is present throughout much of Hirst’s works. Hirst’s use of vivid non-naturalistic colours points produces a jarring effect on the viewer, set in contrast to the morbid subject matter.

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