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Oleandrigenin - Signed Print by Damien Hirst 2011 - MyArtBroker

Oleandrigenin
Signed Print

Damien Hirst

£3,350-£5,000Value Indicator

$6,500-$10,000 Value Indicator

$6,000-$9,000 Value Indicator

¥30,000-¥45,000 Value Indicator

4,050-6,000 Value Indicator

$35,000-$50,000 Value Indicator

¥630,000-¥940,000 Value Indicator

$4,250-$6,500 Value Indicator

9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Woodcut

Edition size: 55

Year: 2011

Size: H 16cm x W 16cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s Oleandrigenin (signed) is estimated to be worth between £3,350 and £5,000. This woodcut print from 2011 has shown consistent value growth, with an average annual growth rate of 9%. This work has an auction history of three sales since its entry to the market on 13th December 2017. The hammer price over the past five years has ranged from £1,460 in September 2018 to £2,480 in March 2022. The edition size of this artwork is limited to 55.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2020Bonhams Knightsbridge United Kingdom
September 2019Sotheby's Online United Kingdom
December 2017Christie's New York United States

Meaning & Analysis

The 40 Woodcut Spots series is reminiscent of Hirst’s vast series of spot paintings, of which there are over 1000 in existence, dating from 1988 to 2011. The spots represent abstraction reduced to its most basic mechanisms: colour, form and composition. The grid formula for these paintings is the basis for an unbounded series where Hirst can infinitely explore harmonious and contrasting colour combinations.

When Hirst’s first spot paintings appeared in the Freeze exhibition of 1988, this marked a turning point in the artist’s career where he began to employ assistants to create the spot paintings. As artificial as the chemicals and drugs that the titles take their inspiration from, the spot paintings appear to have been produced mechanically and without human intervention. Despite their deceiving simplicity, these works are laborious and painstaking to produce.

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