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Thr-Ser - Signed Print by Damien Hirst 2011 - MyArtBroker

Thr-Ser
Signed Print

Damien Hirst

£6,500-£9,500Value Indicator

$13,500-$20,000 Value Indicator

$12,000-$18,000 Value Indicator

¥60,000-¥90,000 Value Indicator

8,000-11,500 Value Indicator

$70,000-$100,000 Value Indicator

¥1,260,000-¥1,850,000 Value Indicator

$8,500-$12,500 Value Indicator

21% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Woodcut

Edition size: 55

Year: 2011

Size: H 23cm x W 23cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst’s Thr-Ser (signed) is estimated to be worth between £6,500 and £9,500. This woodcut print, created in 2011, has shown consistent value growth, with an average annual growth rate of 19%. This work has an auction history of two sales, both occurring in the last 12 months. During the last five years, the hammer price has ranged from £3,012 in May 2021 to £7,000 in April 2022. The average return to the seller is £4,255 and the edition size of this artwork is limited to 55.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2022Bonhams Knightsbridge United Kingdom
May 2021Stockholms Auction House Sweden

Meaning & Analysis

The titles of each print in this series are based on names of chemical compounds, and indicate Hirst’s interest in investigating boundaries between science, aesthetics, medicine and art. The colourful spots are set in equal distance from one another in a formulaic composition. The white clinical backdrop of the print recalls a laboratory and its kit, alluding to the crispness of coats, benches and hospital walls. Moreover, in its depiction of many spots, this print appears like a packet of medical pills.

There is an incessant endlessness to the 40 Woodcut Spots series. The circles are printed in flat, block hues and no colour is repeated twice on the same canvas. Hirst in 2000 remarked on the impact of an installation of multiple spot paintings, “it’s an assault on your senses. They grab hold of you and give you a good shaking. As adults, we’re not used to it. It’s an amazing fact that all objects leap beyond their own dimension.”

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