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Untitled (Evoe) - Signed Print by Bridget Riley 2003 - MyArtBroker

Untitled (Evoe)
Signed Print

Bridget Riley

£12,500-£19,000Value Indicator

$25,000-$40,000 Value Indicator

$22,000-$35,000 Value Indicator

¥110,000-¥170,000 Value Indicator

15,000-23,000 Value Indicator

$120,000-$190,000 Value Indicator

¥2,360,000-¥3,590,000 Value Indicator

$16,000-$24,000 Value Indicator

36% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 75

Year: 2003

Size: H 28cm x W 84cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Bridget Riley's Untitled (Evoe) (signed), created in 2003, is estimated to be worth between £12,500 and £19,000. This screenprint has shown consistent value growth, with an average annual growth rate of 26%. This work has an auction history of six total sales since its entry to the market on 5th October 2005. In the last 12 months, the hammer price has ranged from £7,364 in May 2021 to £7,453 in March 2023. The edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2023Christie's Amsterdam Netherlands
May 2021Christie's Paris France
April 2013Lyon & Turnbull Edinburgh United Kingdom
June 2010Bonhams Knightsbridge United Kingdom
March 2010Bonhams New Bond Street United Kingdom
December 2009Koller Zurich Switzerland
October 2009Christie's New York United States

Meaning & Analysis

Like the other works in this series, Untitled (Evoe) is structured on a diagonal grid. This underlying structure gives the composition a forward movement that is tempered by the soft lines of the curved forms. The basic building blocks for these curvilinear works are serpentine segments in solid blocks of colour, which are of varying size. The complex structure of the print makes it seem as if each colour in turn alternately becomes the figure and ground.

The suggested title of the artwork, Evoe, was a cry associated with the intoxicated rites of the Greek god of wine and fertility, Bacchus.

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