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Carnival - Signed Print by Bridget Riley 2000 - MyArtBroker

Carnival
Signed Print

Bridget Riley

£8,000-£12,000Value Indicator

$16,000-$24,000 Value Indicator

$14,500-$21,000 Value Indicator

¥70,000-¥110,000 Value Indicator

9,500-14,500 Value Indicator

$80,000-$120,000 Value Indicator

¥1,530,000-¥2,290,000 Value Indicator

$10,000-$15,000 Value Indicator

20% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 75

Year: 2000

Size: H 56cm x W 76cm

Signed: Yes

Format: Signed Print

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3 in network
1 want this
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Bridget Riley's Carnival (signed) is a screenprint from 2000, estimated to be worth between £8,000 and £12,000. This work has an impressive auction history, having been sold 9 times at auction since its initial sale on 7th June 2011. Over the past five years, the hammer price has ranged from £5,800 in July 2021 to £9,072 in March 2023. The current average annual growth rate is 20% and the edition size of this artwork is limited to 75.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2025Phillips London United Kingdom
March 2023Christie's London United Kingdom
March 2022Sotheby's Online United Kingdom
July 2021Chiswick Auctions United Kingdom
June 2018Bonhams New Bond Street United Kingdom
January 2017Phillips London United Kingdom
October 2014Christie's London United Kingdom

Meaning & Analysis

Colour in this series, like Riley’s other series, is declaratively interactive: each hue seems to change pitch and tone depending on its neighbours. Far removed from Riley’s monochromatic origins, Riley’s Lozenges work sees the abstract artist at her most confident with colour.

Of her work, Riley stated the viewer’s eye “should feel caressed and soothed, experience frictions and ruptures, glide and drift. One moment there will be nothing to look at and the next second the canvas seems to refill, to be crowded with visual events”.

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