£4,950-£7,500Value Indicator
$10,000-$15,000 Value Indicator
$9,000-$13,500 Value Indicator
¥45,000-¥70,000 Value Indicator
€6,000-€9,000 Value Indicator
$50,000-$70,000 Value Indicator
¥950,000-¥1,430,000 Value Indicator
$6,000-$9,500 Value Indicator
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Medium: Screenprint
Edition size: 300
Year: 2009
Size: H 44cm x W 29cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
January 2025 | Phillips London | United Kingdom | |||
December 2024 | Bonhams New Bond Street | United Kingdom | |||
September 2024 | Tate Ward Auctions | United Kingdom | |||
July 2024 | Forum Auctions London | United Kingdom | |||
September 2023 | Bonhams New Bond Street | United Kingdom | |||
April 2023 | Bonhams New Bond Street | United Kingdom | |||
February 2023 | Chiswick Auctions | United Kingdom |
One Small Step (2009), by British Op-Artist Bridget Riley, was released in a signed edition of 300 screen prints as part of her ongoing Lozenges series. Riley pairs red and pink, bringing out the 3-dimensional aspect of the Lozenges’ pattern—as abstract form ‘escapes’ from a narrow frame.
In One Small Step, Riley’s curve-edged forms appear to be stepping out of the two-dimensional surface of the print, towards the viewer, emphasising the dynamism contained in her artworks. This print is reminiscent of the sculptures by the Italian Futurist Umberto Boccioni Riley so admired. The work’s title is perhaps a nod to that movement, to the pink curve that bravely runs outside of the print’s concentric rectangles — as though it were pushed out by the flash of dark blue that sits securely in the middle of the piece. Moreover, in the title, Riley is no doubt referencing one of the most well-known quotes from modern history, serving as an intriguing reminder that humankind’s greatest achievements begin with a single, small step.
The three strong shades of this print, bold and unerring in line and breadth of colour, and wholly different from the more conscious use of colour in the artist’s earlier works, leave us to wonder what inspired the artful confidence of such a comparatively small image.
Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.