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Fold - Signed Print by Bridget Riley 2004 - MyArtBroker

Fold
Signed Print

Bridget Riley

£6,000-£9,000Value Indicator

$12,000-$18,000 Value Indicator

$10,500-$16,000 Value Indicator

¥50,000-¥80,000 Value Indicator

7,000-11,000 Value Indicator

$60,000-$90,000 Value Indicator

¥1,150,000-¥1,720,000 Value Indicator

$7,500-$11,500 Value Indicator

61% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 2004

Size: H 28cm x W 23cm

Signed: Yes

Format: Signed Print

TradingFloor

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Track auction value trend

The value of Bridget Riley's Fold (signed) is estimated to be worth between £6,000 and £9,000. This screenprint, created in 2004, has shown consistent value growth, with an impressive average annual growth rate of 61%. This work has a strong auction history, having been sold 19 times at auction since its initial sale on 5th October 2005. In the last 12 months, the average selling price was £6,000, with the total sales volume being 1. Over the past five years, the hammer price has ranged from £4,200 in November 2022 to £7,000 in September 2023. The average return to the seller during this period was £4,873. The edition size of this artwork is limited to 250.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2025Phillips London United Kingdom
September 2024Phillips London United Kingdom
September 2023Bonhams New Bond Street United Kingdom
November 2022Bellmans, Sussex United Kingdom
January 2019Phillips London United Kingdom
December 2017Bonhams New York United States
January 2017Phillips London United Kingdom

Meaning & Analysis

Although Riley’s work is consistently abstract, it is grounded in natural experience, predominantly from her adolescence spent in Cornwall, escaping war-torn London. Riley confesses that the ever-changing Cornish seas and skies stimulated her vision, the sensations of which she seeks to recreate in non-representational painting.

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