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Flash November 22 (F. & S. II.41) - Signed Print by Andy Warhol 1968 - MyArtBroker

Flash November 22 (F. & S. II.41)
Signed Print

Andy Warhol

£4,000-£6,000Value Indicator

$8,000-$12,000 Value Indicator

$7,000-$10,500 Value Indicator

¥35,000-¥60,000 Value Indicator

4,800-7,000 Value Indicator

$40,000-$60,000 Value Indicator

¥770,000-¥1,150,000 Value Indicator

$5,000-$7,500 Value Indicator

-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 200

Year: 1968

Size: H 50cm x W 50cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Flash November 22 (F. & S. II.41) is estimated to be worth between £4,000 and £6,000. This signed screenprint, created in 1968, has shown consistent value growth and has an auction history of five total sales since its entry to the market in June 2005. The sales in the last 12 months have seen an average selling price of £4,123, with an overall average annual growth rate of 2%. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Artcurial France
October 2024Doyle Auctioneers & Appraisers United States
February 2024Phillips New York United States
November 2023Neww Auction Japan
June 2005Christie's London United Kingdom

Meaning & Analysis

Based on campaign posters, mass media photos and advertisement, the Flash-November 22, 1963 series elevates and appropriates news items into the realm of high art, so to question the value of art in comparison to this widely disseminated imagery. Warhol uses his renowned screen printing method to deliberately flatten and colour the original photograph in bright green and red.

Mimicking the mass-produced and widely circulated image of Kennedy’s assassination in the news-media through the screen printing method, Warhol explores how the public has become desensitised to themes of death and tragedy with the proliferation of mass-news images. Each of the prints are supplemented by Teletype reports written by Philip Greer, providing a media narrative to the images that constructs our understanding of the event. Warhol makes it clear that mass-media coverage can detrimentally shape public opinion to the extent that it eclipses individual comprehension of such grave instances.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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