Flash November 22 (F. & S. II.34)
Flash November 22 (F. & S. II.34)
Signed Print
Andy Warhol
£5,500-£8,500Value Indicator
$11,500-$17,000 Value Indicator
$10,500-$16,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€6,500-€10,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,060,000-¥1,630,000 Value Indicator
$7,000-$11,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 200
Year: 1968
Size: H 53cm x W 53cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2024 | Artcurial | France | |||
| October 2023 | Bonhams Los Angeles | United States | |||
| March 2023 | Sotheby's New York | United States | |||
| January 2018 | Phillips London | United Kingdom | |||
| December 2014 | Ketterer Kunst Hamburg | Germany | |||
| May 2008 | Karl & Faber | Germany | |||
| October 2002 | Christie's London | United Kingdom |
Meaning & Analysis
Andy Warhol’s print Flash-November 22, 1963 from his November 22, 1963 series (1968) shows an image of Jacqueline Kennedy taken from a newspaper, smiling just moments before the assassination of her husband President John F. Kennedy. Warhol has retained the grainy quality of the original newspaper clipping and even includes some illegible news text on the right side of the image. The image is rendered flat into two tones of blue through Warhol’s manipulation of the original image into high contrasts.
Deriving from the phrase ‘new-flash’, the print’s title alludes to a piece of very important sudden news in the mass-media. Throughout the 1960s Warhol returned to the subject of JKF’s assassination, notably paying more attention to images of the grieving Jackie Kennedy that were widely seen in newspapers at the time. Flash-November 22, 1963 was the artist’s final iteration of the subject.
Replicating the aesthetic of mass-media images through appropriation, Warhol’s Flash-November 22, 1963 worked to underscore the way in which themes of death and tragedy were both perpetuated and desensitised by newspapers, radio and television. Apparently indifferent to the tragic event itself Warhol had said, ‘What bothered me was the way television and radio were programming everybody to feel so sad.’ Jackie Kennedy’s smiling image capturing the moment before her husband’s death and transformed into a piece of Pop Art therefore became a powerful tool to represent the power of the media that Warhol felt so concerned about.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
