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Flash November 22 (F. & S. II.39) - Signed Print by Andy Warhol 1968 - MyArtBroker

Flash November 22 (F. & S. II.39)
Signed Print

Andy Warhol

£10,000-£15,000Value Indicator

$20,000-$30,000 Value Indicator

$18,000-$27,000 Value Indicator

¥90,000-¥140,000 Value Indicator

12,000-18,000 Value Indicator

$100,000-$150,000 Value Indicator

¥1,910,000-¥2,870,000 Value Indicator

$12,500-$19,000 Value Indicator

-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 200

Year: 1968

Size: H 54cm x W 53cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Flash November 22 (F. & S. II.39) (signed) is estimated to be worth between £10,000 and £15,000. Over the past 12 months, the artwork has sold 4 times with an average selling price of £3,542. In the last five years, the hammer price has varied from £3,467 in November 2024 to £7,000 in December 2020. The average annual growth rate of this piece is -1%. This screenprint has an auction history of 15 total sales since its entry to the market in October 2002. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Artcurial France
November 2024Boetto Auction House Italy
October 2024Doyle Auctioneers & Appraisers United States
May 2024Los Angeles Modern Auctions United States
December 2023Bonhams New Bond Street United Kingdom
November 2023Neww Auction Japan
March 2023De Vuyst Belgium

Meaning & Analysis

Based on campaign posters, mass media photos and advertisement, the Flash-November 22, 1963 series elevates and appropriates news items into the realm of high art, so to question the value of art in comparison to this widely disseminated imagery. Warhol uses his renowned screen printing method to deliberately flatten and colour the original photograph in bright purple.

Mimicking the mass-produced and widely circulated image of Kennedy’s assassination in the news-media through the screen printing method, Warhol explores how the public has become desensitised to themes of death and tragedy with the proliferation of mass-news images. Each of the prints are supplemented by Teletype reports written by Philip Greer, providing a media narrative to the images that constructs our understanding of the event. Warhol makes it clear that mass-media coverage can detrimentally shape public opinion to the extent that it eclipses individual comprehension of such grave instances.

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