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Flash November 22 (F. & S. II.38) - Signed Print by Andy Warhol 1968 - MyArtBroker

Flash November 22 (F. & S. II.38)
Signed Print

Andy Warhol

£3,200-£4,800Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,850-6,000 Value Indicator

$30,000-$45,000 Value Indicator

¥610,000-¥920,000 Value Indicator

$4,050-$6,000 Value Indicator

7% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 200

Year: 1968

Size: H 53cm x W 53cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Flash November 22 (F. & S. II.38) (signed) is estimated to be worth between £3,200 and £4,800. This screenprint has shown consistent value growth, with an average annual growth rate of 7%. Over the past 12 months, the artwork has sold 2 times, with an average selling price of £3,309. In the last five years, the hammer price has ranged from £3,062 in November 2024 to £4,373 in December 2023. Since its first sale in June 2005, this work has been sold 8 times at auction. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Boetto Auction House Italy
October 2024Doyle Auctioneers & Appraisers United States
December 2023Wright United States
April 2018Wright United States
September 2015Cornette de Saint Cyr Paris France
May 2014Van Ham Fine Art Auctions Germany
May 2008Karl & Faber Germany

Meaning & Analysis

Based on campaign posters, mass media photos and advertisement, the Flash-November 22, 1963 series elevates and appropriates news items into the realm of high art, so to question the value of art in comparison to this widely disseminated imagery. Warhol uses his renowned screen printing method to deliberately flatten and colour the original photograph in sombre black and white. .

Mimicking the mass-produced and widely circulated image of Kennedy’s assassination in the news-media through the screen printing method, Warhol explores how the public has become desensitised to themes of death and tragedy with the proliferation of mass-news images. Each of the prints are supplemented by Teletype reports written by Philip Greer, providing a media narrative to the images that constructs our understanding of the event. Warhol makes it clear that mass-media coverage can detrimentally shape public opinion to the extent that it eclipses individual comprehension of such grave instances.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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