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Flash November 22 (F. & S. II.32) - Signed Print by Andy Warhol 1968 - MyArtBroker

Flash November 22 (F. & S. II.32)
Signed Print

Andy Warhol

£3,700-£5,500Value Indicator

$7,500-$11,000 Value Indicator

$6,500-$10,000 Value Indicator

¥35,000-¥50,000 Value Indicator

4,500-6,500 Value Indicator

$35,000-$50,000 Value Indicator

¥700,000-¥1,040,000 Value Indicator

$4,700-$7,000 Value Indicator

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 200

Year: 1968

Size: H 53cm x W 53cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Flash November 22 (F. & S. II.32) (signed) is estimated to be worth between £3,700 and £5,500. This screenprint, created in 1968, has an auction history of five total sales since its entry to the market on 3rd June 2004. Over the past five years, the hammer price has remained consistent, with an average annual growth rate of -3%. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2023Wright United States
March 2023Sotheby's Online United Kingdom
July 2017Christie's New York United States
November 2008Christie's London United Kingdom
June 2005Christie's London United Kingdom
June 2004Christie's London United Kingdom
November 1963Alex Cooper Auctioneers United States

Meaning & Analysis

In Flash November 22 (F. & S. II.32), Warhol takes an image of John F. Kennedy that circulated in the mass media after the president of the United States was assassinated in 1963. Warhol’s prints are often characterised by his use of bright and bold colours, however in this print, a sombre dark grey dominates the composition.

The print is part of the Flash November 22 collection, a series of 11 screen prints, all of which involve images from the news that were circulated in response to the assassination of the president. The collection of prints was controversial due to the way in which Warhol turns a tragic event into a commercial object that circulates the art market. The title of the series stems from the phrase ‘news-flash’ which is used in the media to signal an important piece of news.

The print reflects Warhol’s interest in the complex relationship between society and tragedy. Warhol was fascinated by Kennedy’s assassination and the way American society responded to this shocking event. The artist often used this event as the subject of his artworks, notably in his collection of Jackie Kennedy prints, produced in 1965. Flash November 22 was Warhol’s final artistic response to the assasination.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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