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Pine Barrens Tree Frog (F. & S. II.294) - Signed Print by Andy Warhol 1983 - MyArtBroker

Pine Barrens Tree Frog (F. & S. II.294)
Signed Print

Andy Warhol

£80,000-£120,000Value Indicator

$160,000-$240,000 Value Indicator

$140,000-$210,000 Value Indicator

¥730,000-¥1,100,000 Value Indicator

100,000-140,000 Value Indicator

$780,000-$1,180,000 Value Indicator

¥15,310,000-¥22,970,000 Value Indicator

$100,000-$150,000 Value Indicator

27% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 150

Year: 1983

Size: H 97cm x W 97cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Pine Barrens Tree Frog (F. & S. II.294) is estimated to be worth between £80,000 and £120,000. This signed screenprint, created in 1983, has shown consistent value growth, with an average annual growth rate of 27%. This work has an impressive auction history, having been sold 13 times since its initial sale in November 2000. In the past 12 months, the average selling price was £85,675, across one total sale. Over the last five years, the hammer price has ranged from £45,838 in October 2020 to £103,694 in October 2022. The edition size of this artwork is limited to 150.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2024Sotheby's London United Kingdom
October 2023Sotheby's New York United States
October 2022Sotheby's New York United States
October 2021Phillips New York United States
July 2021Koller Zurich Switzerland
October 2020Sotheby's New York United States
May 2019Bonhams New York United States

Meaning & Analysis

Produced to draw attention to the endangered species of the world, this series creates cultural icons of every animal from the Endangered Species Act of 1973, whose kaleidoscopic colours render them impossible to ignore. Telling of his passion for animals and ecological issues, Warhol knowingly used the power of his Pop Art icons and donated a number of these works in the series to raise money and awareness.

The series of ten prints echo one another in Warhol’s use of luminous colours, but at the same time their uniqueness points to the rarity of these animals that are given the ‘star treatment’ by the artist. Depicted like animals in makeup, due to their enhancement with unlikely hues, Warhol references his iconic portrayals of superstars and celebrities like in his Marilyn (1962) and Liz series (1964). Immortalising the image of an endangered animal into a Pop Art icon and elevating the Pines Barrens tree frog to the realm of fine art, Warhol’s print is a permanent reminder of the species’ closeness to extinction.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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