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Endangered Species

Siberian Tiger (F. & S. II.297) Signed Print

Andy Warhol: Siberian Tiger (F. & S. II.297) - Signed Print

Siberian Tiger (F. & S. II.297)

Siberian Tiger (F. & S. II.297) - Signed Print by Andy Warhol 1983 - MyArtBroker

Siberian Tiger (F. & S. II.297)
Signed Print

Andy Warhol

£130,000-£190,000

$250,000-$370,000 Value Indicator

$230,000-$340,000 Value Indicator

¥1,190,000-¥1,730,000 Value Indicator

€160,000-€230,000 Value Indicator

$1,280,000-$1,870,000 Value Indicator

¥25,330,000-¥37,020,000 Value Indicator

$160,000-$240,000 Value Indicator

24% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 150

Year: 1983

Size: H 96cm x W 96cm

Signed: Yes

Format: Signed Print

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3 in network

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Track auction value trend

The value of Andy Warhol’s Siberian Tiger (F. & S. II.297) (signed) is estimated to be worth between £130,000 and £190,000. Over the past five years, the hammer price has ranged from £141,419 in July 2022 to £149,522 in March 2023. This screenprint has shown consistent value growth, with an average annual growth rate of 24%. This work has an auction history of 9 total sales since its entry to the market in May 2000. The edition size of this artwork is limited to 150.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
March 2023	A.N. Abell Auction Company - United States	Siberian Tiger (F. & S. II.297) - Signed Print
July 2022	Sotheby's New York - United States	Siberian Tiger (F. & S. II.297) - Signed Print
April 2019	Christie's New York - United States	Siberian Tiger (F. & S. II.297) - Signed Print
June 2014	Phillips London - United Kingdom	Siberian Tiger (F. & S. II.297) - Signed Print
May 2013	Christie's New York - United States	Siberian Tiger (F. & S. II.297) - Signed Print
February 2013	Stahl Auktion House - Germany	Siberian Tiger (F. & S. II.297) - Signed Print
March 2011	Christie's London - United Kingdom	Siberian Tiger (F. & S. II.297) - Signed Print

Meaning & Analysis

Printed in 1983, Siberian Tiger (F. & S. II.297) is a signed screen print in colour by Andy Warhol on Lenox Museum Board. The print depicts the impressive Siberian Tiger, the largest tiger in the world, residing predominantly in Asia. The print is rendered in a range of bright and vibrant colours with yellow and orange dominating the composition. Yellow and green gestural lines delineate the tiger’s features, drawing attention towards the texture of its fur and whiskers. The tiger stands out against the print’s green backdrop. The detailed sketching in this print demonstrates Warhol’s skilful draughtsmanship, as well as his creative use of colour.

Siberian Tiger (F. & S. II.297) is part of the Endangered Species series, composed of 10 prints, each depicting a different endangered species. The series was commissioned in 1983 by New York gallerists and environmental activists, Ronald and Frayda Feldman. The series reflects Warhol’s personal interest in animals and nature. In fact, in 1986, Warhol went on to collaborate with Kurt Benirschke on Vanishing Animals, a book that combined art and science as a means of drawing attention towards lesser-known endangered animals.

The print was made using Warhol’s signature screen printing technique which enables him to experiment with colour and layering. By depicting the Siberian Tiger in such bold colours, Warhol draws attention towards the splendour of this endangered animal. The print acts as a warning of the need to protect this wonderful creature, along with others that are threatened by the disastrous consequences of climate change, pollution and deforestation.

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Read more about Andy Warhol Prints & Editions

read more about Endangered Species

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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