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Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.327) - Signed Print by Andy Warhol 1984 - MyArtBroker

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.327)
Signed Print

Andy Warhol

£12,000-£18,000Value Indicator

$24,000-$35,000 Value Indicator

$21,000-$30,000 Value Indicator

¥110,000-¥170,000 Value Indicator

14,500-22,000 Value Indicator

$120,000-$180,000 Value Indicator

¥2,300,000-¥3,450,000 Value Indicator

$15,000-$23,000 Value Indicator

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 50

Year: 1984

Size: H 64cm x W 94cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.327) (signed) is estimated to be worth between £12,000 and £18,000. This screenprint has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of six total sales since its entry to the market in April 2000. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2022Wright United States
December 2019Uppsala Auktionskammare Sweden
February 2019Los Angeles Modern Auctions United States
December 2018Uppsala Auktionskammare Sweden
November 2013Van Ham Fine Art Auctions Germany
April 2000Christie's New York United States

Meaning & Analysis

The original painting by Uccello is of a magical world of fairy tale with its fantastical dragon. Warhol’s translation of the image, with the tightly cropped composition focusing on the dragon’s spiky, spotted wings, corkscrew tail and the princess flattened against the picture plane, is more suggestive of a comic strip than a depiction of the legend of St. George. The subtle quality of the original painting has been usurped by Warhol’s use of brilliant, non-naturalistic colour, using bright red, dark and light blue, light pink and orange hues.

Warhol severely alters the original painting that he appropriates, making it entirely distinct and recognisably Pop Art, to prove his point that there is indeed originality in repetition. Choosing to tightly crop the composition so as to only show the pale princess and dragon’s wing, Warhol focuses on the calm and controlled moments within the otherwise violent and chaotic scene.

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