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Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) Signed Print
Andy Warhol: Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326)

Andy Warhol

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print by Andy Warhol 1984 - MyArtBroker

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326)
Signed Print

Andy Warhol

£14,500-£22,000

$28,000-$45,000 Value Indicator

$26,000-$40,000 Value Indicator

¥130,000-¥200,000 Value Indicator

€17,000-€26,000 Value Indicator

$150,000-$220,000 Value Indicator

¥2,870,000-¥4,350,000 Value Indicator

$19,000-$28,000 Value Indicator

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 1984

Size: H 81cm x W 111cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) is estimated to be worth between £14,500 and £22,000. This signed screenprint, created in 1984, has shown consistent value growth, with an average annual growth rate of 6%. This work has an auction history of 8 total sales since its entry to the market in May 2000. In the past 12 months, the average selling price was £14,867 across 2 sales. Over the past five years, the hammer price has varied from £11,896 in May 2021 to £16,000 in May 2024. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
May 2024Bonhams New Bond Street - United KingdomDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
December 2023Bonhams New Bond Street - United KingdomDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
November 2023Palm Beach Modern Auctions - United StatesDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
May 2021Uppsala Auktionskammare - SwedenDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
January 2018Phillips London - United KingdomDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
June 2016Ketterer Kunst Hamburg - GermanyDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
July 2009Christie's New York - United StatesDetails Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print

Meaning & Analysis

Paolo Uccello, St. George and the Dragon 1460, is a print from Andy Warhol’s Details of Renaissance Paintings series (1984) where the artist has appropriated an oil painting depicting a scene from the legendary story of St. George and the dragon. Throughout the series, Warhol injects the original Renaissance paintings with vibrant colours and kitschy style, rendering images of fine art into symbols of popular culture.

The original painting by Uccello is of a magical world of fairy tale with its fantastical dragon. Warhol’s translation of the image, with the tightly cropped composition focusing on the dragon’s spiky, spotted wings, corkscrew tail and the princess flattened against the picture plane, is more suggestive of a comic strip than a depiction of the legend of St. George. The subtle quality of the original painting has been usurped by Warhol’s use of brilliant, non-naturalistic colour, using bright red, orange pink and green hues.

Warhol severely alters the original painting that he appropriates, making it entirely distinct and recognisably Pop Art, to prove his point that there is indeed originality in repetition. Choosing to tightly crop the composition so as to only show the pale princess and dragon’s wing, Warhol focuses on the calm and controlled moments within the otherwise violent and chaotic scene.

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