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Ladies And Gentlemen (F. & S. II.130) - Signed Print by Andy Warhol 1975 - MyArtBroker

Ladies And Gentlemen (F. & S. II.130)
Signed Print

Andy Warhol

£7,000-£10,500Value Indicator

$14,000-$21,000 Value Indicator

$12,500-$19,000 Value Indicator

¥60,000-¥100,000 Value Indicator

8,500-12,500 Value Indicator

$70,000-$100,000 Value Indicator

¥1,340,000-¥2,010,000 Value Indicator

$9,000-$13,000 Value Indicator

12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 125

Year: 1975

Size: H 110cm x W 72cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Ladies And Gentlemen (F. & S. II.130) is estimated to be worth between £7,000 and £10,500. This signed screenprint, created in 1975, has shown consistent value growth, with an average annual growth rate of 12%. This work has an auction history of 18 total sales since its entry to the market in October 2004. Over the past 12 months, the hammer price has ranged from £5,556 in November 2021 to £9,500 in March 2023. The average return to the seller over the past five years is £6,061, with this work being part of a limited edition of 125.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Boetto Auction House Italy
March 2023Rosebery's Fine Art Auctioneers United Kingdom
November 2021Palm Beach Modern Auctions United States
October 2021Wright United States
May 2021Il Ponte Auction House, Via Pontaccio Italy
November 2020Forum Auctions London United Kingdom
March 2019Sotheby's Online United Kingdom

Meaning & Analysis

Given that Warhol was best known for his depictions of world-famous celebrities like Marilyn Monroe, Elvis Presley and Elizabeth Taylor, the anonymity of the subjects in Ladies & Gentlemen makes a departure from his earlier works. Though there has been a renewed interest in the identity of the sitters, most remained unknown until 2014 when their names were published by the Warhol Foundation. Warhol was fascinated by the mechanism of fame, but he was also interested in the way that identity can be performed through images. Working with sitters who were transgender, drag queens, and gender non-conforming afforded him the opportunity to explore the complexities of identity and gender.

Warhol’s portrait of Ross exudes glamour and femininity, showing her wearing a very large hat coloured with pink hues. She looks upwards to the viewer with an open gaze and her lips pronounced. By enlarging these portraits and bringing them into the realm of fine art, Warhol challenges traditional notions of beauty and gender, showing that everyone can be beautiful.

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