Ladies And Gentlemen (F. & S. II.136)
Ladies And Gentlemen (F. & S. II.136)
Signed Print
Andy Warhol
£8,000-£11,500Value Indicator
$16,000-$24,000 Value Indicator
$15,000-$21,000 Value Indicator
¥70,000-¥110,000 Value Indicator
€9,500-€13,500 Value Indicator
$80,000-$120,000 Value Indicator
¥1,540,000-¥2,220,000 Value Indicator
$10,500-$15,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 125
Year: 1975
Size: H 110cm x W 72cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | Sotheby's London | United Kingdom | |||
| September 2024 | Christie's London | United Kingdom | |||
| November 2023 | Il Ponte Auction House, Via Pontaccio | Italy | |||
| March 2023 | Rosebery's Fine Art Auctioneers | United Kingdom | |||
| June 2022 | Bonhams New York | United States | |||
| October 2020 | Capitolium Art | Italy | |||
| December 2019 | Uppsala Auktionskammare | Sweden |
Meaning & Analysis
Ladies & Gentlemen (F. & S. II.136) is one of Andy Warhol’s lesser-known prints from the Ladies & Gentlemen series (1975) that features 14 anonymous Black and Latinx drag queens and trans women. This particular print is of Wilhelmina Ross, a transwoman who, alongside Marsha P. Johnson, was a prominent member of the famous drag revue Hot Peaches.
The subjects of the Ladies & Gentlemen series were recruited by Warhol’s friends Bob Colacello and Robbie Cutrone. Most of the models were spotted by the men in the Gilded Grape bar in Manhattan, a popular space where New York’s Black and Latinx trans women and drag queens came to spend time with one another. Warhol then took over 500 Polaroids of 14 sitters, paying each of them only $50. Warhol seemed to have been particularly enamoured by Ross who featured heavily in the series, across 52 Polaroids, 73 paintings, 29 drawings and five collage portraits.
Warhol explores themes of performance, glamour and personality throughout the series, and in this print show Ross in an elegant fashion as she poses in a headscarf, looking upwards with her hand elegantly draped around her neck. The black and white screen print has a grainy quality and expressive marks of brown, blue, pink, purple and yellow are layered on top. Similar to many of Warhol’s prints, this image explores the relationship between the mechanical screen print process and more abstract, gestural paint strokes. The splashes of colour also work to heighten the element of glamour in the portrait.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
