Canoe Island © Peter Doig 2000
Peter Doig
32 works
Key Takeaways
Peter Doig's prints command significant prices, with individual works typically fetching between £10,000 and £25,000. His most sought-after series, such as 100 Years Ago and Zermatt, have achieved over £40,000 for complete portfolios. Authentication requires thorough provenance research and expert evaluation, considering studio stamps and paper types. Doig's distinctive signature and edition numbering are crucial identifiers. Print condition significantly impacts value, with colour retention and paper quality being paramount. Strategic sale timing, often aligned with major exhibitions or record-breaking painting sales, can greatly influence prices. The UK remains Doig's strongest market, with newly released work showing as much potential as his iconic early series.
Peter Doig's dreamlike landscapes and enigmatic figures have captivated collectors since his breakthrough in the 1990s. As one of the most renowned living Scottish artists, Doig’s prints are sought after as gateways into his mystical creative world. His lithographs, etchings, and aquatints are more affordable points of entry for many collectors, and often stir up high competition on the secondary art market. This guide aims to navigate the market for Doig's prints, offering insights into valuation, authentication, and effective selling strategies for those looking to part with their pieces.
Doig's artistic journey has taken him from his native Scotland through Canada to Trinidad, influencing his style of painting, which blends memory, imagination, and found imagery. His prints, much like his paintings, often feature solitary figures in vast landscapes, architectural elements emerging from dense foliage, and reflections on water that blur the line between reality and abstraction. Throughout his career, Doig has collaborated with several prestigious print studios, such as Two Palms, Edition Salzau, and HENI, resulting in some of his most sought-after print series, including Zermatt and Blizzard ‘77.
How Much Do Peter Doig Prints Sell For?
The strong market for Doig’s prints reflects the uniqueness of his style. His tonal colour palettes and intriguing compositions are both timeless and very contemporary; and, as a living artist still producing artwork, his prints have good potential as investment opportunities. Individual prints typically fetch between £10,000 and £25,000, depending on factors such as rarity, condition, and the specific series to which they belong. The most recognisable Doig prints, and those that form part of a series, have achieved five-figure sums.
Doig's most iconic imagery, such as his waterfront scenes and chilly depictions of snow sports, are often valued highest. For instance, Surfer (2000-1), an etching from Doig’s 100 Years Ago series that depicts a surfer emerging from the water over a rock, appears regularly at auction, selling for upwards of £15,000 multiple times in the past ten years.
The current record sale of a collection of Doig prints is held by a full portfolio of 100 Years Ago (2001). These eight prints sold for £49,374 in 2023 at Sotheby’s in New York. This sale demonstrates the appeal of smaller editions, as each of these prints comes from an edition of only 46 prints, as well as the selling power of collections. In 2007, a collection of these etchings sold for £25,000, proving the increasing value of Doig’s work, particularly his most famous editions.
In January 2023, another of Doig’s most famous print collections, Zermatt (D1) (2020-21) sold at Phillips London for £35,000; this was the third in a pattern of Zermatt (D1) sales that exceeded £30,000 in the past five years.
The record sale of an individual Doig print, however, is held by an untitled monotype depicting a ping pong player, printed in 2011. This print sold in 2018 for £170,000 - its value determined by the sheer uniqueness of monotype prints. With rarity being such a high driver for value, artist’s proofs are more sought-after than standard prints. This is not just because of their smaller edition numbers, but because, as proofs, they are more likely to show unique variations. Many of Doig’s prints have as many as seven artist proofs to a standard edition of 17, making the disparity between the two print runs much smaller, and the difference in value less significant.
In terms of Doig’s most prolific artistic periods, prints from the late 1990s and early 2000s tend to be the most popular with collectors, with the exception of Zermatt (D1). It was at this time that Doig produced his most famous works and fully established his dreamy, ethereal painting and printing style. The value of these pieces continues to grow year-on-year. Other examples include Almost Grown (2001), which sold for £22,000 in 2020, Pinto (2001), which sold for £12,704 in 2016, Country Rock (1997), which sold for £12,235 in 2018, and Black Palms (2004), which sold for £12,024 in 2022.
Some important trends that have emerged from sales of Doig’s prints reveal that his strongest market still exists in the UK, and, crucially, his newly released work has just as much potential to exceed value estimates as his earlier, iconic print series.
How Do You Authenticate A Peter Doig Print?
Establishing the authenticity of your Peter Doig print requires technical analysis, expert evaluation, and assessment of the print’s provenance. Any paper or digital documentation that you have pertaining to the print’s history of ownership and exhibition is vital in positioning it within Doig’s body of work. Documentation can include certificates of authenticity from the artist or printing house, gallery or auction receipts, exhibition catalogues, or even correspondence.
Doig's prints are often produced in collaboration with renowned print studios, each leaving distinctive marks or stamps that can aid in authentication. For example, more recent prints created with Two Palms, such as the Zermatt (D1) monotypes, will bear their studio stamp or markings, while those published by Paragon Press, such as 100 Years Ago I (2001), may include specific edition information in the margin.
Another aspect that can aid in authentication is verification of the materials used. Doig frequently uses high-quality, archival wove printing papers, such as Hahnmühle, the texture of which will be familiar to appraisers of 20th and 21st century prints. Features such as deckled edges can be important signifiers. The printing technique, whether lithography, etching, aquatint or a combination of the above, should be consistent with Doig's known practices for the period in which the print was produced.
While there is not yet a comprehensive catalogue raisonné for Doig's prints, several authoritative publications can assist in authentication. The monograph Peter Doig: No Foreign Lands by Hilton Als provides valuable insights into Doig's artistic practice, including his printmaking. Additionally, catalogues from major exhibitions, such as the 2008 retrospective at Tate Britain, often include detailed information on print editions. A publication by Barnaby Wright and Catherine Lampert to accompany the 2023 exhibition at The Courtauld in London is one of the best available assessments of Doig’s work.
Edition and Signature
Peter Doig typically signs his prints in pencil, usually on the front of the print in the lower margin. His signature is generally in cursive, often accompanied by the year of creation and the edition number. Doig's print editions vary in size, with some limited to as few as 17 copies, while others may reach 500 or more. The majority of editions are kept small, which enhances the scarcity and, therefore, the demand. They also often follow irregular sizes, such as 46 or 35, giving the impression that Doig only published the best examples of each print. Artist's proofs, often marked "A.P.", are highly prized by collectors and can fetch higher prices than the numbered edition.
Doig's approach to editioning has, however, evolved over his career. Early prints may have less formal numbering or signature practices, while more recent works often adhere to more standardised conventions.
Browse Peter Doig prints on the Trading Floor and find out more about the print market growth on the MAB100 Print Index.
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Has Your Peter Doig Print Been Kept In Good Condition?
The condition of your Peter Doig print is paramount in determining its value and appeal to collectors. Doig's prints are known for their rich, layered colours and subtle tonal variations, making any deterioration particularly noticeable and potentially detrimental to the work's overall impact.
When assessing your print, start by examining the paper for any signs of damage or ageing. Look for discolouration, foxing (brown spots caused by oxidation), or acid burn, particularly around the edges. Doig uses archival papers for his prints, including cotton rag papers known for their durability and texture; however, even these will be affected by the conditions of their environment over time.
Doig's prints are recognised for their atmospheric hues and subtle gradations, so any fading or colour shift can be particularly detrimental to a print’s impact and value. This is especially important for screenprints and lithographs, as the inks used in these processes can be susceptible to fading if exposed to direct sunlight or harsh artificial light over extended periods.
For Doig's etchings, which often feature fine linear details and delicate tonal variations, it's important to check for any loss of definition in these areas. The embossing created by the etching process should be intact, as this tactile quality is an integral part of the print's character. Check also for any surface imperfections such as creases, scratches, or abrasions. These can be particularly noticeable in areas of solid colour or intricate patterning. Examine the print under raking light to detect any such issues, as well as any undulations in the paper that might indicate past water damage or improper storage.
Proper storage and display are essential for maintaining a Doig print in good condition. Ideally, prints should be kept in acid-free portfolios, away from direct sunlight and fluctuating humidity. If framed, UV-protective glass and acid-free matting are recommended to prevent light damage and acid migration.
For advice on how to get started with condition assessment of your Peter Doig print, contact MyArtBroker.
When Is The Best Time To Sell My Peter Doig Print?
The contemporary art market can be cyclical, with periods of heightened interest in certain artists or movements, which is why choosing the right time to sell your Peter Doig print is so essential.. Doig's market has shown steady growth over the past decades, but particular spikes often follow major exhibitions or institutional acquisitions.
Major exhibitions or retrospectives of Doig's work often generate increased interest and media coverage, driving renewed demand amongst collectors. For example, the comprehensive retrospective at The Courtauld in London in 2023 prompted a surge of Doig print sales across London auction houses - including a full set of 100 Years Ago (2001).
Although the print market exists in its own right, it is heavily influenced by sales of original works. New records, such as the 2021 sale of Doig’s Swamped (1990) for over £25million, have a tangible impact on print collector interest. High-value sales such as these often coincide with exhibitions or anniversaries relevant to the artist’s career.
We recommend also keeping an eye on broader trends in the art market. A rise in interest in these areas can impact print sale value. Additionally, any new publications or scholarly works focusing on Doig's printmaking practice can refocus attention on this aspect of his market. You can monitor sales results and value trajectory reports directly on the websites of major auction houses, such as Christie’s and Sotheby’s. This is one of the fastest and most reliable ways of staying up-to-date with Doig’s market.
MyArtBroker offers advanced art tech tools to help you determine the optimal time to sell. Our MyPortfolio service features an AI-powered value indicator that provides real-time valuations of individual prints based on both public and private sales data. Combined with our complimentary valuations, we can help ensure your print achieves maximum value by selling at the perfect moment.
Where Can I Sell My Peter Doig Print?
Selling A Peter Doig Via A Broker
Engaging a private broker or dealer offers a more personalised approach to selling a Doig print. These art market professionals can develop tailored sales strategies based on their understanding of the Doig market and their networks of collectors interested in contemporary British art. Brokers offer the advantage of discretion, potentially quicker sales, and personalised advice throughout the transaction. This route can be particularly effective for prints that might appeal to specific collectors, such as those focued on Doig's unique blend of figurative and abstract elements. Working with a broker typically involves lower fees compared to auction houses, generally ranging from 10% to 20%. When choosing a broker, look for those with a proven track record in handling Doig's work and a deep understanding of the market for contemporary prints. Their expertise can be invaluable in positioning your print effectively and reaching the right collectors.
Selling A Peter Doig Via Auction House
Prestigious auction houses like Christie's, Sotheby's, and Phillips regularly feature Doig's work in their contemporary art sales, offering an elevated platform for your print and a wealth of guidance. These institutions leverage their extensive networks to attract serious collectors from around the world, particularly those passionate about contemporary figurative and landscape-inspired art. The competitive atmosphere of a live auction can be advantageous for rare or historically significant Doig prints, potentially driving prices higher than initially estimated. Auction houses have the expertise to properly contextualise Doig's work within contemporary art movements, enhancing its appeal through high-quality catalogues and preview events. However, this route comes with substantial fees, often reaching 25% of the hammer price. There's also the inherent unpredictability of auctions; your piece might exceed expectations or fail to meet its reserve price. You will also have limited control over the timing and presentation of the sale.
To learn more, read our guide to Auction v Private Sale in the Art Market.
Selling A Peter Doig Via Online Marketplace
Online art marketplaces have grown in popularity, offering a platform for sellers to reach a global audience of art enthusiasts and collectors. These digital venues can be effective for more accessible Doig prints, providing an opportunity for quick sales with lower fees compared to traditional channels. Online platforms allow you to control the listing details and pricing, with tools for showcasing your own images and detailed descriptions of the work. However, selling high-value artworks online comes with challenges. There's a risk of undervaluing the work due to platform limitations and lack of expert guidance, and authentication concerns are more pronounced in the online space. If considering an online marketplace for a Doig print, opt for specialised platforms that focus on fine art and have robust verification processes. These platforms are more likely to attract serious collectors and provide the necessary security measures for high-value transactions. For high-value or rare Doig works, the online marketplace should be approached with caution. While it can be an effective option for more modestly priced prints, it may not provide the level of expertise and targeted marketing that traditional auction houses or specialist brokers can offer for significant pieces.
Why Sell Your Peter Doig With MyArtBroker?
A Dedicated Broker
MyArtBroker offers a distinctive service connecting clients with their dedicated personal broker, ensuring a secure transaction through our online digital platform. Our specialists excel at sourcing direct buyers for consigned prints via our live trading floor, where users within our extensive network can express interest in specific prints and multiples by particular artists, whether they intend to sell, buy, or simply enquire about a specific print. Our team is approachable, passionate, and consistently provides updates on the art market and artists. We guide sellers through a seamless transaction process, establishing a fair market valuation based on realistic sale prices and offering free advice on the optimal timing for selling, leveraging our extensive knowledge of the art market.
Minimise Risk
At MyArtBroker, we prioritise transparency and security in every art sale. Our stringent due diligence process ensures the authentication and verification of artwork provenance, drawing upon our in-house expertise and collaborating with professional external contacts when needed. This approach effectively mitigates the risk of trading counterfeit or stolen art pieces. Additionally, we minimise the risks associated with public sales. While public auctions may seem appealing, unsold prints can harm an artist's market. Private sales eliminate this risk and enable quicker liquidity release for your artwork compared to adhering to strict auction schedules dictating when your work can be offered for sale.
0% Seller’s Fees, 100% Of The Time
Our team of specialists offers tailored services to procure rare and special edition prints, catering to both seasoned collectors and newcomers to the market. As part of our standard practice, we provide complimentary valuations and charge zero seller's fees, setting us apart from other private brokers and traditional auction houses. By minimising overhead costs, we allocate resources towards digital innovation and targeted marketing strategies within our network and house magazine.
When it comes to selling artwork, achieving the best price hinges on accessing a niche market with an established collector community. If you're looking to sell a print, turning to a specialist in the print market, like MyArtBroker, yields superior results compared to approaching an auction house, which caters to broader categories of artwork.
Our Network
Through our live trading floor we empower our network of collectors, fundamentally reshaping the art investment and trading landscape in the digital era. Offering real time market data and insights gleaned from worldwide collectors, we establish value based on convenience, accessibility, and the exceptional level of transparency and security provided to over tens of thousands of users.
Peter Doig Collection Management With MyPortfolio
In addition to our live trading floor, MyArtBroker's MyPortfolio serves as a collection management system, empowering collectors to curate and oversee their prints and editions collection. This feature grants users access to our print market database, uniquely tied to our proprietary algorithm, SingularityX. This algorithm scans and analyses both public auction and private sales data to determine real time valuations of individual print works, factoring in various aspects such as condition, colour, and other factors affecting value.
Read What Powers MyArtBroker's Technology? In Conversation With Stuart Jamieson, Financial Quant to learn more about our algorithm.
Peter Doig
32 works
