Jackson Pollock
15 works
Jackson Pollock prints are a lucrative investment for art collectors. Individual works typically fetch £10,000 to £20,000, with rare collections achieving six-figure sums. Black and white screenprints from the 1950s are most coveted. Authentication requires thorough provenance research and expert evaluation, referencing the 1995 catalogue raisonné by Francis Valentine O’Connor and the records of the Pollock Estate, now managed by Kasmin Gallery. Condition significantly impacts value, with colour retention crucial for Pollock's distinctive contrasts. Strategic timing of sales, often aligned with major exhibitions, can boost prices, as evidenced by the 2018 retrospective at MOMA.
Jackson Pollock changed the face of abstract art with his distinctive drip painting technique, creating works that captured the energy and spontaneity of the creative process. While primarily known for his large-scale canvases, Pollock also produced a significant body of prints that offer collectors a more accessible entry point to his iconic style. This guide aims to navigate the market for Pollock's prints, providing valuable insights into valuation, authentication, and effective selling strategies for those looking to part with their pieces.
Pollock's printmaking practice, though less extensive than his painting, showcased his experimental approach to art-making. His prints often incorporated elements of his drip technique, translating the dynamic gestures of his paintings into the realm of lithography and screen printing. Collaborations with print studios, particularly in the later years of his career, resulted in limited edition prints that have become highly sought after by collectors worldwide.
Jackson Pollock’s reputation as an innovator, his distinctive easily recognised style, and his impressive legacy have kept the secondary market for his prints alive. The market for Jackson Pollock's prints reflects the artist's status as a pivotal figure in 20th-century art. Individual prints by Pollock typically fetch between £10,000 and £20,000, with collections of prints often selling for much more.
It’s important to note that many of Pollock’s prints were left untitled, sometimes identified by alpha-numeric codes or simply their composition. His prints are also extremely limited in number, with less than 50 different editions ever created - not only does this rarity help with identification, but it also drives up prices and investment value.
Collectors particularly prize Pollock's black and white screenprints from the 1950s. These works, which often incorporate elements of his signature drip style, generally achieve the highest prices. For instance, a rare portfolio of six screenprints from 1951, posthumously printed in 1964, sold for £265,443 at Phillips, more than doubling its high estimate. The portfolio includes reprints of Untitled (1951) and Untitled (After Number 22) (1951). This sale holds the record for highest value achieved by a collection of Pollock prints - an unexpected title given that, in the broader art market, posthumous prints tend to be less valuable than those produced in the artist’s lifetime. The prints featured are typical of the artist’s style from this period, with deep contrast, suggestive ink patterns, and emotive semi-figurative expressions.
Conversely, the highest value achieved by an individual Pollock print is £53,167, for the sale of an untitled drypoint print from 1944-45 in 2011. Again, the print more than doubled its high estimate, proving that a sale to the right collector can lead to impressive returns. Other drypoint, etchings, and engravings, including the 1944 print edition of Untitled (P14) (1967), perform well at auction as part of collections. In 2023, a collection of six sold for £20,608 in New York.
Limited edition prints with low run numbers, or prints with very small editions, tend to appeal most to collectors. Pollock's print editions were often small, sometimes as few as 25, which has contributed to their scarcity and value in the market. Artist's proofs, typically marked “AP,” are especially coveted and can fetch prices even higher than the standard editions.
Authenticated Pollock prints will typically attract more attention from collectors than those not subjected to provenance, technical checks, and expert evaluation. Jackson Pollock’s popularity as an artist increases the potential for forgeries. As many prints were printed and published posthumously, the authentication process can differ depending on the edition, particularly regarding the artist’s signature.
An expert appraiser will begin by tracing the print’s provenance by reviewing any documentation related to the print. Any certificates of authenticity, gallery receipts, exhibition catalogues, or correspondence related to the print can be invaluable in establishing its legitimacy. The provenance should ideally be traceable back to Pollock himself or, in the case of posthumous prints, to the print studio that produced the edition.
Technical analysis of the print is often an integral part of authentication; validating the type and quality of ink and paper, and assessing their age and condition. Pollock used high-quality materials, including Strathmore paper and heavy-duty card stock. Experts will also examine the printing technique and any unique markers that Pollock or the print studio may have used.
Pollock's prints were often produced in collaboration with renowned print studios. Verifying the involvement of these studios through their stamps or markings can provide additional evidence of authenticity. For example, some of Pollock's later prints bear the distinctive markings of Universal Limited Art Editions (ULAE), and his intaglio prints from the 1940s were predominantly printed by Atelier 17 in New York. In the case of Pollock’s early screenprints, no printer stamp will be visible because Pollock printed them himself using a small printing screen he acquired from a commercial printing workshop he was employed by at the time.
One of the most useful references for authenticating any artwork is the artist’s catalogue raisonné. In the case of Jackson Pollock, the most definitive version was compiled by Francis Valentine O’Connor and published in 1995. It provides context for the artist's output during specific periods, images of artwork and prints, and publication information. Prints can also be verified against the records of the Kasmin Gallery, which acquired the Pollock Estate from the Pollock-Krasner Foundation in September 2024.
Jackson Pollock's approach to signing and numbering his prints was relatively consistent. Typically, Pollock signed his prints with his full name in pencil on the lower right corner of the sheet. His signature is characteristically bold and often slightly angular. Posthumous prints, published in 1964 and beyond will bear the Pollock Estate stamp in place of a fresh signature.
Edition numbers are usually found on the lower left, written as a fraction (e.g., 15/25). As mentioned earlier, Pollock's print editions were often quite small, which adds to their rarity and value; the even-rarer artist's proofs, marked “AP,” are deemed even more desirable than standard editions.
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The condition of your Jackson Pollock print is a critical factor in determining its value; fading, creases, and tears can all prove detrimental to prints that would otherwise receive a high estimated value. Careful preservation of blue chip artwork is necessary to maintain impact and worth.
When assessing the condition of your Pollock print, start by examining the paper for any signs of damage or ageing. Look for discolouration, foxing, or acid burn, particularly around the edges. Pollock often used high-quality, acid-free papers for his prints. Strathmore paper, for example, is known for being thick, textured, and resilient to rough treatment. These papers can still be affected by environmental factors over time, so caution is still recommended.
Colour retention is particularly important for Pollock's prints, which are characterised by sharp black-and-white contrast. Any fading or colour shift can therefore be particularly detrimental. This is especially crucial for screenprints, which make up a significant portion of Pollock's print portfolio, as the inks used can be particularly susceptible to fading if exposed to direct sunlight or harsh artificial light over extended periods.
Once you have assessed for larger instances of damage or wear, check the surface for smaller imperfections such as scratches, scuffs, or abrasions. These can be particularly noticeable in areas of solid colour or in the fine lines characteristic of Pollock's drip technique. Examine the print under raking light to detect any such issues, as well as any undulations in the paper that might indicate past water damage or improper storage.
Proper storage and display are essential for maintaining a Pollock print in good condition. Ideally, prints should be kept in acid-free portfolios, away from direct sunlight and fluctuating humidity. If framed, UV-protective glass and acid-free matting are recommended to prevent light damage and acid migration.
For a thorough assessment, consider consulting a paper conservator specialising in mid-20th century prints. They can provide a detailed condition report and advise on any necessary conservation measures. While minor imperfections might be acceptable given the age of Pollock’s prints, significant damage or alterations can substantially decrease value.
For advice on how to get started with condition assessment of your Jackson Pollock print, contact MyArtBroker.
Many external factors will have an impact on the contemporary art market. Determining the right time to sell your print requires an understanding of these factors. In broad terms, the market can be cyclical, with periods of heightened interest in Abstract Expressionism and post-war American art, as well as more populated auction schedules in the spring and autumn.
Major exhibitions or retrospectives of Pollock's work often spark renewed interest in the artist, attracting the attention of collectors in different geographical markets, and increasing competition between buyers. For example, the comprehensive retrospective at the Museum of Modern Art in New York in 1998-1999 led to a surge in Pollock's market, including the then-record sale of Untitled (P13-P19) (1944-45). More recently, the 2024-25 exhibition of Pollock’s early works at the Musée National Picasso-Paris reinvigorated discussions about his craft.
Sellers and collectors alike should keep an eye on broader trends in the art market, particularly those related to mid-20th century American art, as surges of interest can indicate greater selling power. The most efficient way of tracking market trends is by monitoring sales results and value trajectory reports from major auction houses and galleries. These reports will illustrate any patterns in sales or major events; for instance, increased interest in Pollock's early screen prints or a new record sale of an original painting.
MyArtBroker offers advanced art tech tools to help you determine the optimal time to sell. Our MyPortfolio service features an AI-powered value indicator that provides real-time valuations of individual prints based on both public and private sales data. Combined with our complimentary valuations, we can help ensure your print achieves maximum value by selling at the perfect moment.
Art brokers who specialise in post-war American art can provide a tailored approach to selling your Pollock print. These experts often maintain networks of collectors interested in Abstract Expressionism, facilitating private sales with a level of confidentiality not available through public auctions. Opting for a broker may result in a quicker sale compared to the auction process. They offer personalised guidance and can craft bespoke marketing strategies based on their knowledge of the Pollock market. Some brokers may have connections with collectors actively seeking Pollock's work. This targeted approach can be beneficial, especially for moderately priced Pollock prints. Broker fees generally range from 10% to 20%, typically lower than auction house charges. While you may miss out on the competitive bidding of auctions, you gain more control over the sales process. When selecting a broker, prioritise those with a strong track record in handling Pollock's work and in-depth understanding of the post-war American print market.
The global reach of major auction houses like Christie's, Sotheby's, and Phillips makes them extremely attractive to both sellers and buyers of Pollock prints. These institutions excel at marketing, producing high-quality catalogues, organising preview events that generate buzz around the artworks, and stirring up interest in Abstract Expressionism enthusiasts. The competitive atmosphere of live auctions can drive prices up, particularly for rare or historically significant Pollock prints. Their ability to contextualise Pollock's work within the broader spectrum of 20th-century art movements can enhance its appeal. For high-value Pollock prints, particularly rare early works or those with notable provenance, the auction route can be highly effective. However, this approach comes with considerations. Substantial fees, often surpassing 25% of the sale price, are standard. There's also a risk of your print not meeting its reserve price, potentially affecting its future value. Auction schedules are inflexible, limiting your control over the sale's timing. Ensure you understand the terms of consignment and associated costs before proceeding.
To learn more, read our guide to Auction v Private Sale in the Art Market.
Selling valuable artworks online presents challenges. There's a risk of undervaluing pieces due to platform limitations, and the absence of expert curation can make it difficult for exceptional works to stand out. Authentication issues are also more prevalent in the online environment. Despite these challenges, online art platforms have gained popularity, offering sellers access to a global audience of art enthusiasts. These digital venues can be effective for more accessible Pollock prints, potentially enabling faster sales with reduced fees compared to traditional channels. These platforms give you control over listing details and pricing, providing tools to showcase high-quality images and comprehensive descriptions. If you're considering an online sale for a Pollock print, opt for specialised fine art platforms with robust verification processes. These are more likely to attract serious collectors and offer necessary security measures for high-value transactions. For rare or particularly valuable Pollock works, approach online marketplaces with caution, prioritising platforms that specialise in fine art and have stringent authentication procedures.
MyArtBroker offers a distinctive service connecting clients with their dedicated personal broker, ensuring a secure transaction through our online digital platform. Our specialists excel at sourcing direct buyers for consigned prints via our live trading floor, where users within our extensive network can express interest in specific prints and multiples by particular artists, whether they intend to sell, buy, or simply enquire about a specific print. Our team is approachable, passionate, and consistently provides updates on the art market and artists. We guide sellers through a seamless transaction process, establishing a fair market valuation based on realistic sale prices and offering free advice on the optimal timing for selling, leveraging our extensive knowledge of the art market.
At MyArtBroker, we prioritise transparency and security in every art sale. Our stringent due diligence process ensures the authentication and verification of artwork provenance, drawing upon our in-house expertise and collaborating with professional external contacts when needed. This approach effectively mitigates the risk of trading counterfeit or stolen art pieces. Additionally, we minimise the risks associated with public sales. While public auctions may seem appealing, unsold prints can harm an artist's market. Private sales eliminate this risk and enable quicker liquidity release for your artwork compared to adhering to strict auction schedules dictating when your work can be offered for sale.
Our team of specialists offers tailored services to procure rare and special edition prints, catering to both seasoned collectors and newcomers to the market. As part of our standard practice, we provide complimentary valuations and charge zero seller's fees, setting us apart from other private brokers and traditional auction houses. By minimising overhead costs, we allocate resources towards digital innovation and targeted marketing strategies within our network and house magazine.
When it comes to selling artwork, achieving the best price hinges on accessing a niche market with an established collector community. If you're looking to sell a print, turning to a specialist in the print market, like MyArtBroker, yields superior results compared to approaching an auction house, which caters to broader categories of artwork.
Through our live trading floor we empower our network of collectors, fundamentally reshaping the art investment and trading landscape in the digital era. Offering real time market data and insights gleaned from worldwide collectors, we establish value based on convenience, accessibility, and the exceptional level of transparency and security provided to over tens of thousands of users.
In addition to our live trading floor, MyArtBroker's MyPortfolio serves as a collection management system, empowering collectors to curate and oversee their prints and editions collection. This feature grants users access to our print market database, uniquely tied to our proprietary algorithm, SingularityX. This algorithm scans and analyses both public auction and private sales data to determine real time valuations of individual print works, factoring in various aspects such as condition, colour, and other factors affecting value.
Read What Powers MyArtBroker's Technology? In Conversation With Stuart Jamieson, Financial Quant to learn more about our algorithm.