Ernest Trova, a self-trained American artist, gained prominence for his Falling Man series, which became a defining element of his artistic legacy. Blending elements of Surrealism and Pop Art, Trova's work left a lasting impact the global art scene. If you're looking for Ernest Trova original prints and editions for sale or would like to sell, request a complimentary valuation and browse our network's most in-demand works.
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Born on 19 February 1927 in St. Louis, Missouri, Ernest Trova's artistic journey was unconventional. Unlike many of his contemporaries, Trova did not receive formal art education, he instead developed his skills through self-study and practical experience. His early career as a department store window display designer would later influence his artistic style, particularly in his use of mannequin-like figures.
Trova's artistic language was shaped by a diverse range of influences. He was inspired by the works of Willem de Kooning and was inspired by the poetry of Ezra Pound, both of which impacted his developing artistic philosophy. This eclectic mix of inspirations led Trova to develop an artistic voice that straddled the line between Surrealism and Pop Art.
At the age of 20, Trova’s painting Roman Boy became his first exhibited work and was awarded first prize in the Missouri Exhibition at the City Art Museum (now the St. Louis Art Museum). Described as a provocative and “sexually graphic” artwork, Roman Boy divided critics. The painting’s controversial nature captured public attention, earning it a feature in Life magazine.
In the 1960s, Trova's career took a significant turn with the creation of his Falling Man series. This iconic motif, featuring an armless, faceless figure, became the centrepiece of his artistic output. Trova viewed his entire body of work as a single, ongoing project, with each piece contributing to a larger artistic narrative.
In 1976, Trova gifted a significant portion of his work to St. Louis County, leading to the establishment of Laumeier Sculpture Park. This generous donation created a valuable cultural resource for his hometown and demonstated Trova's desire to make art accessible to the public.
Trova died on 8 March 2009, leaving behind a rich artistic legacy. His unique vision and innovative approach has secured his place in the canon of 20th century American art.