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I've Got It All - Signed Print by Tracey Emin 2000 - MyArtBroker

I've Got It All
Signed Print

Tracey Emin

£45,000-£70,000Value Indicator

$90,000-$140,000 Value Indicator

$80,000-$130,000 Value Indicator

¥410,000-¥640,000 Value Indicator

50,000-80,000 Value Indicator

$440,000-$690,000 Value Indicator

¥8,610,000-¥13,400,000 Value Indicator

$60,000-$90,000 Value Indicator

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 6

Year: 2000

Size: H 97cm x W 96cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Tracey Emin's I've Got It All (signed) is estimated to be worth between £45,000 to £70,000. This digital print artwork, created in 2000, has shown consistent value growth and has an auction history of four total sales since its entry to the market in June 2008. The edition size of this artwork is limited to 6.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2019Sotheby's Paris France
June 2018Phillips London United Kingdom
October 2015Christie's London United Kingdom
March 2011Christie's New York United States
June 2008Phillips London United Kingdom

Meaning & Analysis

Emin is a contemporary visual artist who has become famous for the daring and provocative tone of her works. Throughout her oeuvre, intimate nocturnal confessions go hand in hand with wit and humour, with which the artist expresses her innermost fears, ambitions and hopes for the future to the viewer. I’ve Got it All, a work that the artist produced in 2000, came at the height of Emin’s fame, following her 1999 Turner prize nomination for My Bed, exhibited at Tate Modern.

The image is taken from a performance made that same year, where Emin shoved banknotes and coins into her crotch. In the image, Emin represents with satirical humour her newly found fame and position within the art establishment, which comes with financial stability. At the same time, the Polaroid also attests to the artist’s desire for more money. This form of greed pertains to the artist as much as to the viewer, and therefore the image speaks both to Emin’s and society’s necessity of accumulating wealth. I’ve Got It All speaks to Emin’s ability to be confrontational and to tackle common realities society is ashamed to admit. That Emin is not scared to confront these thematics, of the necessity for money and fame, and that her works are rid of a sense of judgement, is what has made her art so successful and popular.

  • Tracey Emin, born in 1963, stands as a fearless provocateur in the contemporary art scene. A trailblazer of the Young British Artists (YBA) movement in the late 1980s, the artist has sparked conversation and controversy for decades. Confronting themes of love, trauma and femininity with great vulnerability, Emin's work is a visceral tapestry of her life and has forged an intimate dialogue between artist and audience. In 1999, this raw approach to storytelling won her a nomination to the Turner Prize and, in 2007, it got her a coveted spot as a Royal Academician at the Royal Academy of Arts (RA).