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Bull Head II - Signed Mixed Media by Roy Lichtenstein 1973 - MyArtBroker

Bull Head II
Signed Mixed Media

Roy Lichtenstein

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Mixed Media

Edition size: 100

Year: 1973

Size: H 54cm x W 71cm

Signed: Yes

Format: Signed Mixed Media

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The value of Roy Lichtenstein’s Bull Head II (signed) is estimated to be worth between £15,000 and £22,000. This mixed media artwork, created in 1973, has shown consistent value growth since its first sale in April 2011. This is a rare artwork, having been sold 6 times at auction. The hammer price over the past five years has ranged from £11,737 in June 2020 to £14,812 in October 2021. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2021Wright United States
February 2019Christie's New York United States
January 2019Phillips London United Kingdom
October 2016Doyle Auctioneers & Appraisers United States
October 2013Bonhams San Francisco United States
April 2011Christie's New York United States

Meaning & Analysis

Lichtenstein creates a work that is slick, mass-produced in feel, and disruptive of the line that divides high art from low brow.

Bull Head II, constituting phase two of the simplification process explored by the artist, notably abstracts the image of the bull. The animal’s horns and muzzle are encoded with the help of geometrical forms and colours, mirroring the layout of Bull IIIfrom the Bulls series. The work presents the essential, rather than particular qualities of the animal. Elements alluding to grass and the sky above the pasture have been added to the background, using dark green and light blue block colouring.

In Bull Head series, Lichtenstein illustrates a shift from representational to abstract, interrogating the artistic claim of the modernist era, which asserts that universal truth is revealed through the distillation of forms. The artist in this series parodies this belief by calling into question the presumed distinction between realistic and abstract depictions.

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