£3,050-£4,550Value Indicator
$6,000-$9,000 Value Indicator
$5,500-$8,000 Value Indicator
¥28,000-¥40,000 Value Indicator
€3,700-€5,500 Value Indicator
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¥580,000-¥860,000 Value Indicator
$3,850-$5,500 Value Indicator
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Medium: Lithograph
Edition size: 300
Year: 1972
Size: H 61cm x W 79cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
June 2024 | Olympia Auctions | United Kingdom | |||
March 2024 | Whyte's | Ireland | |||
September 2023 | Wilson55 | United Kingdom | |||
March 2023 | Kinghams Auctioneers | United Kingdom | |||
November 2021 | Reeman Dansie | United Kingdom | |||
September 2021 | Bonhams Knightsbridge | United Kingdom | |||
November 2019 | Fieldings Auctioneers | United Kingdom |
Industrial Panorama is a print from 1972 by L. S. Lowry based on a painting of the same name from 1953, showing an imaginary industrial landscape characterised by unusual hills and smokestacks. Representing Lowry’s late painterly style, this print emphasises the drabness of the industrial landscape rather than the isolation of its inhabitants that was typical of his earlier works.
Though this scene is inspired by the artist’s real-life observations of working class lives in industrial towns, Industrial Panorama shows a general impression of the urban environment created from memory. As an example of Lowry’s late style, this print is particularly dream-like with his depiction of rolling hills and industrial buildings seemingly growing out of the landscape. There seems to be no distinction between the natural and the industrial in this scene, notably as we see smoke from the mills fade into the sky and clouds, and the way in which landscape and buildings are rendered as though merging into one another.
Lowry shows the landscape to overwhelm the tiny people that populate the street, unlike many earlier prints that show his figures in the foreground of the image. The viewer feels a familiar sense of hopelessness, what art historian John Rothenstein calls ‘a kind of gloomy lyricism’, as Lowry shows the working classes to be subject to the environment that they were born into.
Born in 1887, L. S. Lowry was a key figure in 20th century British painting. Known for his distinctive painterly style and 'matchstick men', Lowry aimed to put industry on the map by typically focusing on scenes from his hometown in the North West of England. The naivety of his art drew criticism, yet has stood the test of time with the artist becoming a household name. Lowry has consistently performed in the secondary market, with works such as Going To The Match achieving a value of £2,919,000 in 2021 and the editioned prints remaining highly sought after.