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The Valley Page 3 - Signed Print by Keith Haring 1989 - MyArtBroker

The Valley Page 3
Signed Print

Keith Haring

£1,850-£2,750Value Indicator

$3,650-$5,500 Value Indicator

$3,300-$4,900 Value Indicator

¥17,000-¥25,000 Value Indicator

2,250-3,300 Value Indicator

$18,000-$27,000 Value Indicator

¥350,000-¥530,000 Value Indicator

$2,350-$3,450 Value Indicator

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 80

Year: 1989

Size: H 36cm x W 30cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Keith Haring's The Valley Page 3 (signed) is estimated to be worth between £1,850 and £2,750. This etching, created in 1989, has shown consistent value growth, with an average annual growth rate of 1%. This work has an auction history of three total sales since its entry to the market in June 2019. In the last 12 months, the average selling price was £1,800 across one sale. Over the past five years, the hammer price has ranged from £1,800 in July 2024 to £2,000 in July 2021. The edition size of this artwork is limited to 80.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024Forum Auctions London United Kingdom
July 2021Forum Auctions London United Kingdom
June 2019Forum Auctions London United Kingdom

Meaning & Analysis

The Valley series is one of many by Haring that when considered in full, tells an unusual story as the sequence of images, combined with text, unfold. Comparable to his Apocalypse series (1988) completed one year earlier, Haring’s images are chaotic and are born from a collaboration with the Beat Era poet and novelist William S. Burroughs, whose text-based ‘cut-up’ method formed the basis of Haring’s pictographic style.

Haring’s later works such as The Valley Page 3 have been compared within art historical narratives to the chaotic storytelling of Hieronymus Bosch and the fierce liveliness of his friend and contemporary Jean-Michael Basquiat. This particular series is representative of a stylistic shift exemplified in his Cranbrook Mural (1987) that introduced intentional blotches, drips and themes around death and the end of times.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change

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