Flying Devil
Flying Devil
Signed Print
Keith Haring
£7,000-£11,000Value Indicator
$14,000-$22,000 Value Indicator
$12,500-$20,000 Value Indicator
¥60,000-¥100,000 Value Indicator
€8,500-€13,500 Value Indicator
$70,000-$110,000 Value Indicator
¥1,340,000-¥2,110,000 Value Indicator
$9,000-$14,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1990
Size: H 54cm x W 64cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2024 | Sotheby's Online | United Kingdom | |||
| November 2021 | Bonhams New York | United States | |||
| December 2019 | Sotheby's New York | United States | |||
| June 2019 | Wright | United States | |||
| October 2017 | Christie's New York | United States | |||
| May 2009 | Bonhams San Francisco | United States |
Meaning & Analysis
This signed screen print from 1990 is a limited edition of 250 from Keith Haring’s Icons series. Using bold, rounded lines to cultivate a sense of energy and movement, Flying Devil depicts a striking red-winged devil with a cross on its chest, set against a bright yellow backdrop. Haring’s trademark graphic symbols, bursting with colour and vigour, work to create an open-ended visual language, seen and understood by thousands of people in New York City amidst the Cold War, the HIV/AIDS crisis and the crack epidemic.
The Icons series prints are rendered in flat, saturated colours as a nod to the rise of commercialism and mass production in Haring’s lifetime. Heavily influenced by Andy Warhol and the wider Pop Art movement of the 1960s, his work bridges the gap between high art and mass consumerism so as to dissolve boundaries between fine art, political activism and popular culture.
Haring’s Flying Devil, alongside others in the series like Angel and Radiant Baby, reworks redemptive imagery to critique the Christian religious fundamentalism and Jesus Movement of the 1970s. Soaring upwards to the heavens from the fires of hell, the devil figure in this print cultivates a sense of the profane to the viewer. Seeking a direct means of expression by using signs in place of words, Haring playfully communicates complex political and anti-religious messages through a positive visual language.
