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Flowers IV - Signed Print by Keith Haring 1990 - MyArtBroker

Flowers IV
Signed Print

Keith Haring

£20,000-£30,000Value Indicator

$40,000-$60,000 Value Indicator

$35,000-$50,000 Value Indicator

¥180,000-¥280,000 Value Indicator

24,000-35,000 Value Indicator

$200,000-$290,000 Value Indicator

¥3,830,000-¥5,740,000 Value Indicator

$25,000-$40,000 Value Indicator

13% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 100

Year: 1990

Size: H 99cm x W 129cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Keith Haring’s Flowers IV (signed) is estimated to be worth between £20,000 and £30,000. This screenprint has shown consistent value growth, with an average annual growth rate of 13%. In the last 12 months, the average selling price was £18,910 across 1 total sale. Over the past five years, the hammer price has ranged from £14,457 in November 2020 to £24,000 in October 2023. This work has an auction history of 5 total sales since its entry to the market in November 2005. The edition size of this artwork is limited to 100.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Wright United States
October 2023Bonhams New Bond Street United Kingdom
November 2020Rago United States
April 2015Christie's New York United States
November 2005Christie's New York United States

Meaning & Analysis

Acknowledging the legacy of figures like Jackson Pollock and Willem de Kooning from the Abstract Expressionist movement, Haring produces a loosely rendered image and intentionally leaves drip lines and splatter marks across the print. In creating this expressionist image through the medium of screen printing, Haring not only subverts the ideals upheld by the Abstract Expressionists surrounding originality but creates an image that conveys a sense of urgency in its rapid execution and duplication.

Haring’s plant forms in the Flowers series are noticeably phallic as a means to point to the fleeting nature and precariousness of life for homosexual men during the 1980s HIV/AIDS epidemic. In 1990 when this series was completed, Haring knew that he was dying of AIDS and his use of rapid gestural marks makes clear the way in which he was working against time.

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