The World's Largest Modern & Contemporary Prints & Editions Platform
The Paris Review - Signed Print by Keith Haring 1989 - MyArtBroker

The Paris Review
Signed Print

Keith Haring

£3,200-£4,800Value Indicator

$6,500-$9,500 Value Indicator

$5,500-$8,500 Value Indicator

¥29,000-¥45,000 Value Indicator

3,850-6,000 Value Indicator

$30,000-$45,000 Value Indicator

¥610,000-¥920,000 Value Indicator

$4,050-$6,000 Value Indicator

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 200

Year: 1989

Size: H 61cm x W 81cm

Signed: Yes

Format: Signed Print

TradingFloor

2 in network
1 want this
Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

The value of Keith Haring's The Paris Review (signed) is estimated to be worth between £3,200 and £4,800. This screenprint has shown consistent value growth, with an average annual growth rate of 1%. Over the past 12 months, the artwork has sold twice, with an average selling price of £3,886. In the last five years, the hammer price has ranged from £2,650 in December 2024 to £5,122 in February 2024. Since its first sale in July 1998, this artwork has been sold 23 times at auction, demonstrating its popularity. The edition size of this artwork is limited to 200.

Unlock up-to-the-minute market data on Keith Haring's The Paris Review, login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Sotheby's Paris France
February 2024John Moran Auctioneers United States
April 2021Doyle Auctioneers & Appraisers United States
February 2021Wright United States
February 2021Rago United States
September 2019Sotheby's London United Kingdom
January 2019Phillips London United Kingdom

Meaning & Analysis

In 1964, the famous quarterly English-language literary magazine The Paris Review initiated a series of prints and posters by contemporary artists with the goal of establishing an ongoing relationship between the art and literary worlds. Haring created this print for the periodical just as many other renowned artists of the post-war decades such as Andy Warhol, Willem de Kooning, Robert Rauschenberg, Roy Lichtenstein, David Hockney and Louise Bourgeois had done before him

This print uses bright, primary colours and simplified shapes to make a piece that is instantly recognisable as Haring’s work. The unusual but playful image of the clown-figure, rendered through simplified and flattened shapes, appeals to both adults and children alike, highlighting Haring’s desire to create a universal art to be understood by the masses.

  • Keith Haring was a luminary of the 1980s downtown New York scene. His distinctive visual language pioneered one-line Pop Art drawings and he has been famed for his colourful, playful imagery. Haring's iconic energetic motifs and figures were dedicated to influencing social change, and particularly challenging stigma around the AIDS epidemic. Haring also pushed for the accessibility of art by opening Pop Shops in New York and Japan, selling a range of ephemera starting from as little as 50 cents. Haring's legacy has been cemented in the art-activism scene and is a testament to power of art to inspire social change