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See No Evil Hear No Evil Speak No Evil - Unsigned Print by Keith Haring 1989 - MyArtBroker

See No Evil Hear No Evil Speak No Evil
Unsigned Print

Keith Haring

£1,350-£2,050Value Indicator

$2,700-$4,050 Value Indicator

$2,400-$3,650 Value Indicator

¥12,500-¥19,000 Value Indicator

1,650-2,450 Value Indicator

$13,000-$20,000 Value Indicator

¥260,000-¥390,000 Value Indicator

$1,700-$2,600 Value Indicator

13% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Year: 1989

Size: H 61cm x W 87cm

Signed: No

Format: Unsigned Print

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Track auction value trend

The value of Keith Haring’s See No Evil Hear No Evil Speak No Evil (unsigned), a lithograph print from 1989, is estimated to be worth between £1,350 and £2,050. This artwork has shown consistent value growth, with an average annual growth rate of 13%. This is a rare piece, having been sold 2 times at auction since its initial sale on 21st September 2018. The edition size of this artwork is not currently available.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2023Rosebery's Fine Art Auctioneers United Kingdom
September 2018Chiswick Auctions United Kingdom

Meaning & Analysis

The print is rendered in striking colours, and the figures are drawn using thick, bold lines, characteristic of Haring’s unique visual style. The ‘energy lines’ emitted by the three figures are seen in Haring’s other works, such as the Growing series, and evoke the power of people working together, community and solidarity. The lines also bring a sense of energy and movement to the print, making it an exciting visual object.

The bold lines seen in See No Evil Hear No Evil Speak No Evil are typical of Haring’s work and seen in many of his other prints. The three figures are also representative of Haring’s use of symbolic figures. Throughout his artistic career, Haring developed various figures that he called ‘icons’ which reappear throughout his prints. Alongside the androgynous figures are crawling babies, winged people and barking dogs. Haring’s Icons series features some of his most recognisable motifs, which can also be seen in the Pop Shop series.

Haring’s move to New York in 1978 had a significant impact on his visual style. Influenced by the street art and graffiti he observed, Haring developed a distinct pop-graffiti aesthetic. This artistic style was honed through his graffiti drawings on unused advertising spaces in New York subway stations. Haring’s art bridges the gap between high and low culture, and he was a pivotal figure in demonstrating how street art should also be counted as high art worthy of exhibition.