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Kate Moss, White Gloves - Signed Print by KAWS 2001 - MyArtBroker

Kate Moss, White Gloves
Signed Print

KAWS

£26,000-£40,000Value Indicator

$50,000-$80,000 Value Indicator

$45,000-$70,000 Value Indicator

¥230,000-¥360,000 Value Indicator

30,000-45,000 Value Indicator

$250,000-$380,000 Value Indicator

¥4,980,000-¥7,660,000 Value Indicator

$30,000-$50,000 Value Indicator

-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 2001

Size: H 43cm x W 71cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of KAWS's Kate Moss, White Gloves (signed) is estimated to be worth between £26,000 and £40,000. Over the past 12 months, the average selling price was £20,992, across 1 total sale. In the last five years, the hammer price has varied from £20,992 in June 2024 to £32,214 in July 2020. This artwork has shown a consistent annual average growth rate of -4%. This screenprint has an auction history of 4 total sales since its entry to the market in September 2008. The edition size of this artwork is limited to 50.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
December 2024Phillips Hong Kong Hong Kong
June 2024Rosebery's Fine Art Auctioneers United Kingdom
July 2020Phillips Hong Kong Hong Kong
October 2008Bonhams New Bond Street United Kingdom
September 2008Phillips London United Kingdom

Meaning & Analysis

Kate Moss, White Gloves is a signed screen print in colours on Arches produced by the bold and adventurous American artist and designer, KAWS in 2001. The print depicts the famous supermodel, Kate Moss. Moss’ image is appropriated by KAWS and the artist transforms the model into a cartoon by giving her a skull and crossbone head and gloved hands which are similar to those worn by the beloved cartoon character, Mickey Mouse. KAWS also adds his signature crossed out eyes to the model’s face, a trademark feature of the artist’s visual language.

This print is part of the Models collection, a series of prints in which KAWS appropriates adverts and transforms them using his unique graphic style. KAWS has developed a set of distinct graphics which the artist incorporates into his prints. The skull and crossbone head and crossed out eyes, as seen in Kate Moss, White Gloves, have become a repeated visual motif that not only runs through the Models collection, but the artist’s entire oeuvre.

The Models collection resonates with KAWS’ early experimentations with graffiti. While living in New York in the 1990s, KAWS would unlock the cases of adverts in phone booths and bus shelters, remove the campaigns, and modify the images. The artist would add cartoon characters and make them interact with the products being advertised, or transform the models into cartoons themselves, as is done in Kate Moss, White Gloves. This practise, known as ‘subvertising,’ was fundamental to the development of KAWS’ visual language and graphic style.