The World's Largest Modern & Contemporary Prints & Editions Platform
Still Life With Red And Green Apples - Signed Print by Julian Opie 2001 - MyArtBroker

Still Life With Red And Green Apples
Signed Print

Julian Opie

Price data unavailable

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 40

Year: 2001

Size: H 65cm x W 39cm

Signed: Yes

Format: Signed Print

Find out how Buying or Selling works.
Track this artwork in realtime

Watch artwork, manage valuations, track your portfolio and return against your collection

Track auction value trend

The value of Julian Opie's Still Life With Red And Green Apples (signed) is estimated to be worth between £1,150 and £1,750. This digital print artwork, created in 2001, has an auction history of one sale on 16th March 2011. The edition size of this artwork is limited to 40.

Unlock up-to-the-minute market data on Julian Opie's Still Life With Red And Green Apples, login or create a free account today

Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2011Bonhams Knightsbridge United Kingdom

Meaning & Analysis

Brightly coloured and shiny, the fruit and vegetables depicted by Opie in this series appear almost synthetic, without any signs of irregularity or damage. Through the artificial nature of the apples represented, Opie parallels this with his methods and style of working that defy the presence of the artist’s hand.

Still Life With Red And Green Apples is reminiscent of 17th century Dutch still life painting in its allusion to realism and starkly contrasted dark background. Indeed, Opie has been interested in engaging with the traditions of art history throughout his entire career, notably in his works A Pile of Old Masters (1983) and Eat Dirt, Art History (1983). With this print, Opie presents a twenty-first century version of the classic art historical genre through his use of computer technology, saturated colour and simplified form.