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Cabeza - Unsigned Print by Jean-Michel Basquiat 2004 - MyArtBroker

Cabeza
Unsigned Print

Jean-Michel Basquiat

£60,000-£100,000Value Indicator

$120,000-$200,000 Value Indicator

$110,000-$180,000 Value Indicator

¥550,000-¥920,000 Value Indicator

70,000-120,000 Value Indicator

$590,000-$980,000 Value Indicator

¥11,490,000-¥19,140,000 Value Indicator

$80,000-$130,000 Value Indicator

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

2005 screen print in colours, on Saunders Hot Press watercolour paper. S. 139 x 100.8 cm (54 3/4 x 39 5/8 in.). Numbered in an edition of 85, signed and dated by the Administrator of the Estate of Jean-Michel Basquiat

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Track auction value trend

The value of Jean-Michel Basquiat's Cabeza (unsigned) is estimated to be worth between £60,000 and £100,000. This screenprint, created in 2004, has shown consistent value growth, with an average annual growth rate of 3%. Over the past 12 months, the average selling price was £47,707, across 2 total sales. In the last five years, the hammer price has ranged from £43,145 in March 2024 to £84,033 in October 2022. Since its initial sale in November 2007, this artwork has been sold 20 times at auction. The edition size of this artwork is limited to 85.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
April 2024Christie's New York United States
March 2024Christie's New York United States
November 2023Phillips London United Kingdom
October 2023Christie's New York United States
September 2023Sotheby's London United Kingdom
April 2023Sotheby's New York United States
October 2022Larsen Gallery United States

Meaning & Analysis

In its title, Cabeza recalls the iconic Dos Cabezas, a painting by the artist that depicts Basquiat alongside Andy Warhol. The piece can be seen as emblematic of the close working relationship and friendship which the two artists cultivated in the early 80s. It proved beneficial for Basquiat to be connected to such a highly-regarded figure in the New York art scene, yet the working friendship was not one-sided commercially, as Warhol also benefited from association with the up-and-coming neo-expressionist as his pop art prints and paintings everyday items began to lose favour with the art-buying audience.