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Aladin (P11) - Unsigned Print by Gerhard Richter 2014 - MyArtBroker

Aladin (P11)
Unsigned Print

Gerhard Richter

£2,150-£3,250Value Indicator

$4,250-$6,500 Value Indicator

$3,850-$6,000 Value Indicator

¥20,000-¥30,000 Value Indicator

2,600-3,900 Value Indicator

$21,000-$30,000 Value Indicator

¥410,000-¥620,000 Value Indicator

$2,700-$4,100 Value Indicator

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Digital Print

Edition size: 500

Year: 2014

Size: H 37cm x W 50cm

Signed: No

Format: Unsigned Print

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Track auction value trend

The value of Gerhard Richter's Aladin (P11) (2014) is estimated to be worth between £2,150 and £3,250. This unsigned digital print has an auction history of 23 total sales since its entry to the market on 21st September 2015. In the last 12 months, the average selling price was £1,845 across 2 sales. Over the past five years, the hammer price has varied from £1,600 on 17th January 2024 to £3,983 on 28th January 2024. The current average annual growth rate is -9%. This work is part of a limited edition of 500.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
Lempertz, Cologne Germany
September 2024Phillips New York United States
April 2024Phillips Hong Kong Hong Kong
January 2024SBI Art Auction Japan
January 2024Phillips London United Kingdom
December 2021Phillips London United Kingdom
November 2021Sotheby's Paris France

Meaning & Analysis

Dissimilar from works in Richter’s Colour Charts, Cage Prints, Cage f.ff and Cage Grid series, Aladdin (P11) is a digital print which sees Richter experiment with the creative possibilities of surface tension and painting. Where in his squeegee-based Cage paintings Richter might turn to the squeegee as a tool for applying and embellishing ‘classic’ tones of oil paint, here the artist sets his medium on the floor, diluting paints and allowing them to travel across its surface. Leaving the work open to error and serendipity alike, there is a deep sense of experimentation in its bright, dream-like composition.

As an art student of the 1950s, Richter is fiercely unusual. The recipient of an artistic training in socialist realist painting - an attribute unusual for an artist who moved to the ‘West’ in 1961 - Richter has nonetheless spent much of his career dealing with non-representation. Concerned chiefly with artistic process as opposed to likeness, Richter’s nature as a conceptual artist has led him to deal with a variety of intangible issues, ranging from memory to the divine. Always keen to disrupt tradition, Richter once confessed that his artistic practice has the ultimate goal of bringing about the ‘death’ of painting.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.

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