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Cage (P19-6) - Unsigned Print by Gerhard Richter 2020 - MyArtBroker

Cage (P19-6)
Unsigned Print

Gerhard Richter

£9,000-£13,500Value Indicator

$18,000-$27,000 Value Indicator

$16,000-$24,000 Value Indicator

¥80,000-¥120,000 Value Indicator

11,000-16,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,720,000-¥2,580,000 Value Indicator

$11,500-$17,000 Value Indicator

-12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Giclée print

Edition size: 200

Year: 2020

Size: H 100cm x W 100cm

Signed: No

Format: Unsigned Print

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Track auction value trend

The value of Gerhard Richter's Cage (P19-6) (2020) is estimated to be worth between £9,000 and £13,500. This Giclée Print artwork, part of an edition size of 200, has shown consistent value growth since its first sale in December 2013. Over the past five years, the hammer price has ranged from £7,500 in January 2024 to £47,809 in December 2022. The average annual growth rate of this piece is -12%. This work has been sold 11 times at auction.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
January 2024Phillips London United Kingdom
August 2023Sotheby's London United Kingdom
February 2023Phillips London United Kingdom
December 2022Christie's Paris France
March 2022Sotheby's Hong Kong Hong Kong
January 2022Phillips London United Kingdom
June 2021Phillips London United Kingdom

Meaning & Analysis

Bearing a closer resemblance to the artist’s abstract paintings of the 1990s (e.g. Abstraktes Bild (P1) (1990)) than to his 2006 Cage Paintings, after which the Cage f.ff and Cage Grid series were both made, Cage (P19-6) makes an extended use of brighter yellows, greens, reds, and blues. In this particular print, we can see these hues dragged and scraped across the surface of the canvas in both vertical and horizontal directions; a visual testament to its own creation, and the large, home-made squeegees that were used during this dynamic process, the centre of this arresting image reveals deeper layers of paint concealed beneath its surface.

The friendship between Richter and art critic Robert Storr saw that the original work, after which this print was made, was exhibited at the 2007 Venice Biennale: Storr, who who was responsible for the first large-scale Richter solo exhibition at MoMA in 2002, was the then director of the Biennale. John Cage - after whom the print is named - also provides a musical and conceptual accompaniment to this particular work; his droning, atonal compositions were of great interest to Richter during 2006, and were channelled into the similarly visceral and ascetic contours of its surface.

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