£2,150-£3,250Value Indicator
$4,250-$6,500 Value Indicator
$3,850-$6,000 Value Indicator
¥19,000-¥29,000 Value Indicator
€2,550-€3,850 Value Indicator
$21,000-$30,000 Value Indicator
¥420,000-¥630,000 Value Indicator
$2,700-$4,050 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 200
Year: 1970
Size: H 32cm x W 47cm
Signed: Yes
Format: Signed Print
TradingFloor
Watch artwork, manage valuations, track your portfolio and return against your collection
Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2024 | Phillips London | United Kingdom | |||
June 2021 | Germann Auctions | Switzerland | |||
December 2018 | Sotheby's New York | United States | |||
May 2015 | Lempertz, Cologne | Germany | |||
September 2013 | Christie's London | United Kingdom | |||
June 2012 | Germann Auctions | Switzerland | |||
October 2010 | Ketterer Kunst Hamburg | Germany |
Funken is a signed lithograph by Dresden-born artist Gerhard Richter. Created in 1970, the artwork captures the bright and buoyant side of Richter’s creative practice before it moves in the direction of sombreness and monochrome in 1974.
The artwork represents Richter’s attempt to trace the movement of the light against the background of a bright, cloudless sky. Although the exact nature of the titular ‘sparkle’ is hard to pin down, the artist appears to have experimented with the exposure time of the original photograph in order to capture a sense of dynamism and movement. The intense colours of Funken contrast jarringly with Richter’s later works, such as the Grey Paintings series, in which his doubt in the possibility of knowing and representing reality translates into a radical reduction of the visual language.
As so often in Richter’s works, the techniques of overpainting and blurring have been employed in Funken, reflecting Richter’s desire to deconstruct traditional artistic methods. Richter commented on the function of the blurring technique: “I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.”
Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.