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Study Of The Human Body From A Drawing By Ingres - Signed Print by Francis Bacon 1982 - MyArtBroker

Study Of The Human Body From A Drawing By Ingres
Signed Print

Francis Bacon

£6,500-£10,000Value Indicator

$13,000-$20,000 Value Indicator

$11,500-$18,000 Value Indicator

¥60,000-¥90,000 Value Indicator

8,000-12,000 Value Indicator

$60,000-$100,000 Value Indicator

¥1,250,000-¥1,920,000 Value Indicator

$8,000-$12,500 Value Indicator

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 180

Year: 1982

Size: H 86cm x W 61cm

Signed: Yes

Format: Signed Print

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Meaning & Analysis

The piece depicts a human torso with truncated legs cut off at the knee, sitting cross-legged on a platform. The body evokes visual features of sculpture from the classical Roman period in which fragmented bodies often expressed intense anxiety. The figure lacks detail and is rendered life-like only by shades of flesh tones. Like many of Bacon’s figures, the body rests upon a geometrical structure that expresses a feeling of isolation. A piece of paper rests on the leg of the body inscribed with illegible writing and a large red arrow pointing to the figure.

As is referenced in the title, Bacon often used the French Neo-Classical artist, Ingres, as an inspiration for his works. Classical themes such as Greek mythology, of which Ingres had made paintings of, also influenced Bacon in works such as Oedipus and The Sphinx (1984). He had a lifelong fascination with the artist and became particularly interested in his use of geometrical shapes and archaism in an attempt to produce ideal forms of the human figure.

Bacon encases the flesh-toned body in an interior of fiery orange hues. Each geometrical shape is given a slightly altered tone of red, orange or brown to illuminate the body in the centre. Such abrasive tones further express discomfort and alarming anxiety.

  • Irish-born artist, Francis Bacon, has produced some of the most famous paintings in the British Contemporary canon. The 20th century maverick's visceral and emotionally charged canvases redefined figurative art. Exploring harrowing themes of trauma, sexuality, religion and violence, Bacon forces the viewer to confront the human psyche and the dark realities of human emotion. Often working from memory or his own imagination, there is a clear morphing of influences on Bacon’s work. An unusual combination of imagery is the result of his exposure to canonical artists such as Velazquez, Picasso and Rembrandt alongside his exploration of medical textbooks and photographic stills.

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